A Quote by Tim McGraw
Like I say, I'm always writing and if something sticks, it sticks. I get to write with great songwriters in town. Lori McKenna is one of my all-time favorite singer-songwriters who's ever walked the planet. I get to write with her. The Warren Brothers are friends of mine and I write with them all the time. Lance Miller is a great songwriter. Tom Douglas - you can't get any better than that. I write a lot of stuff but it's got to stick.
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As a songwriter, you're allowed to write anything, and as a person, I am all colors in the rainbow. I've been through everything, you know, so I can write a positive song like 'Better Get to Livin'' because that's my attitude. But that doesn't mean I'm happy all the time. You can't be a deep and serious songwriter without feelings. You kinda have to live with your feelings out on your sleeve and get hurt more than most people. The fear I might get hurt means I might not be able to write another song.
Writing is a weird thing because we can read, we know how to write a sentence. It's not like a trumpet where you have to get some skill before you can even produce a sound. It's misleading because it's hard to make stories. It seems like it should be easy to do but it's not. The more you write, the better you're going to get. Write and write and write. Try not to be hard on yourself.
I think there are some songwriters who are just brilliant who can write and then I think there are some songwriters who can like me I have a problem writing chorus lyrics but I can write a song in a story like that.
I get so frustrated with all these so-called singer-songwriters coming out and they don't write!
I write all the time, I've got a big, thick, old ledger book that I write stuff down in. I used to watch TV and write things that people would say and now I tend to get it more out of books and from conversations with people I meet.
As songwriters and artists we get a lot of attention and gratification when we write about the moments that have hurt us, and in turn, sometimes we'll seek out more hurt so we can write more things that people like.
I never write a tune before the lyrics. I get the lyrics and then I write around them. Some people write music and the lyrics come along and they say, 'Oh yeah, I've got something to fit that.' If that's the way people write songs, I feel like you might as well just go to the supermarket.
When I hear my favorite songwriters write about things they clearly have not experienced, like "Isis" by Bob Dylan or a lot of Bruce Springsteen songs or something like that, I'm always like, "Man, how do I tap into that?" Every time I tried to do something that wasn't autobiographical I felt pretty phony.
I'd advise all you songwriters out there, if you're getting into it for the business, go home and get a job digging ditches or something. Get a life. You'll learn a lot more, and you won't write a lot of rotten poetry.
I write like anyone involved with a family and a full time job: in stolen moments. I've had to adapt because I have so little writing time, so I write while dinner bubbles on the stove, and get away to cafes when I can. It is good to have a small laptop to haul around. I wish I could admit to bizarre writing habits, you know, like "I can only write in the presence of my favorite pet elephant, who is my fount of inspiration," but the truth, alas, is far more mundane.
When I write songs, I like to write lyrics first, and I think that's different from a lot of singer-songwriters. But I heard Sammy Cahn was asked what comes first, the lyrics or the music, and he said, 'The paycheck.'
If anyone e-mails you something "by George Carlin," there's a 99 percent chance I did not write it. I didn't write "Paradox Of Our Time." I didn't write "George Carlin On Aging." I didn't write a eulogy for my wife after she died. I didn't write the New Orleans thing. I didn't write "I Am A Bad American." None of them. You know what I've decided to do? I'm going to get a little cheap put-it-together-yourself website called NotMe.com.
To say, "Well, I write when I really get into it" is a bunch of bull. Put the paper in the typewriter, stare at it a long time, get snowblindness if you have to, but write something.
She did get put through the system with a lot of the hit songwriters, who were great songwriters, but it was more like 'This is how it's done here. It turned her off - not specific people, but the whole system turned her off. And she wanted to do something, I think, that she could play for her friends in Texas and they would say, Okay, well you're still Miranda.
When I first got into the major label system, they were like, 'Hey, you're great - now write with a million people so we can get songs.' That was something I hadn't done before, and the songwriters I was working with had worked on some massive numbers - like 'True Colours.' One of the guys wrote 'Livin On A Prayer.'
It's scary when you get to a point where you write these songs that people like, and then you think, "Am I ever going to be able to write something better than that?"
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