A Quote by Tim Minchin
Isn’t this enough? Just this world? Just this beautiful, complex wonderfully unfathomable world? How does it so fail to hold our attention that we have to diminish it with the invention of cheap, man-made myths and monsters?
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I suppose I could claim that I had suspected that the world was a cheap and shoddy sham, a bad cover for something deeper and weirder and infinitely more strange, and that, in some way, I already know the truth. But I think that's just how the world has always been. And even now I know the truth, the world still seems cheap and shoddy. Different world, different shoddy, but that's how it feels.
It is the world's limitations and the myths that we internalize about ourselves that pushes us to diminish our power and ignore it.
Facing the kitsch aesthetic is the unfathomable world of myths.
For the problem of decision-making in our complicated world is not how to get the problem simple enough so that we can all understand it; the problem is how to get our thinking about the problem as complex as humanly possible--and thus approach (we can never match) the complexity of the real world around us.
We still like to make up stories, just as our ancestors did, which use personification to explain the great forces of our existence. Such stories, which explain how the world began or where the sun goes when it sets, we call myths. Mythology is a natural product of the symbolizing mind; poets, when not making up myths of their own, are still commanding ancient ones.
In an ideal world, the intelligent investor would hold stocks only when they are cheap and sell them when they become overpriced, then duck into the bunker of bonds and cash until stocks again become cheap enough to buy.
You know, we'd just had a birthday, he was... you know, he still had a future out of him, and all I can is he was just one of the most beautiful people in the world... a very gifted man, and it's a loss to the world, not just for us.
From the simplest lyric to the most complex novel and densest drama, literature is asking us to pay attention. Pay attention to the frog. Pay attention to the west wind. Pay attention to the boy on the raft, the lady in the tower, the old man on the train. In sum, pay attention to the world and all that dwells therein and thereby learn at last to pay attention to yourself and all that dwells therein.
It's not enough, is it? Just to follow; just to have faith in someone bigger and smarter and better informed. That's how we're built, that's how every Partial is wired - to follow orders and trust in our leaders - but it's not enough. It never has been. We've followed our leaders, and sometimes they win and sometimes they lose; we do what they say and we play our part. But this is our decision. Our mission. And when we're done, it will be our victory, or our defeat. I don't want to fail, but if I do, I want to be able to look back and say, 'I did that. I failed. That was all me.
When I read or study, I don't do it for the degree - if I fail, it doesn't matter, but it just takes me out of this world where you're the centre of attention all the time. You just become a normal bloke when you're setting yourself those kinds of targets.
How can it fail to smash and shatter the petty provincialism and narrow nantionalism ... making of this world a tragic mosaic of hostility and hate? How can this fabulous new force in the sky fail to serve the hope of teh world and the peace of the world?
Language, she said, was just our way to explain away the wonder and glory of the world. To deconstruct. To dismiss. She said people can't deal with how beautiful the world really is. How it can't be explained and understood.
Living an awakened life [...] is just a matter of where our attention is being placed. It is possible for our human-beingness and our true nature or presence to exist wonderfully well together, enriching each other through their closeness. It is through the power of our attention that we experience one or the other or both.
What we men share is the experience of having been raised by women in a culture that stopped our fathers from being close enough to teach us how to be men, in a world in which men were discouraged from talking about our masculinity and questioning its roots and its mystique, in a world that glorified masculinity and gave us impossibly unachievable myths of masculine heroics, but no domestic models to teach us how to do it.
Do It With Style It's not enough that we want to change the world. It's not enough that our product is incredibly complex and our vision is vast and shifting. We're not just going to win, we're going to do it with style. That means a lot of different things, and a lot of what it means can't be captured in a handbook.
I stick closely to the structure of the myths. I may have some fun with the mythology by changing the environment to modern-day, but the structure of the myths, the monsters, the relationships of the gods - none of that is made up.
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