A Quote by Tim Minchin

I spent thousands of thousands of hours playing the piano, and by thousands of hours, I mean playing in cover bands or wedding bands or disco bands or original bands or playing cabaret for Todd McKenney.
Imagine a music business where all the music press talked about, all day long, was cover bands of old rock and pop groups. Beatles cover bands, Rolling Stones cover bands, The Who cover bands, Led Zeppelin cover bands. Cover bands, cover bands, everywhere you go.
I had 12 years of classical music as a child, playing piano competitions as a teenager, playing in blues bands and rock 'n' roll bands, country and jazz bands. I played in about any situation.
I've always been a fan first and foremost - obsessing over bands and seeking out bands, and spending hours and hours listening. When I played music, the scope of my fandom became more myopic; I was focusing on the bands we were touring with, or the bands on the label. And you're always positing yourself in relation to other bands. Since I haven't been playing, I feel a little less cynical. I'm able to seek out music and approach it strictly as a fan.
In the 80s there weren't so many bands around and nowadays there are a lot more bands around. I think sometimes there are too many bands. But there are a lot of interesting young bands around. They are not really playing the classic metal stuff, that's up to the old bands.
When I was a kid, I was playing in various bands - amateur bands, garage bands, weekend bands, you name it, around the area. At some point, I just wanted to try the whole 'Beatle tribute band' thing, so I found a local band that was doing that.
After graduating college in 2010, I got to work - writing and co-writing all the time, playing and touring in bands, playing for other people's bands, working in coffee shops all over town.
Within you there are thousands of rings of luminosity, bands, and each one is a universe of perception. In the average person's lifetime, they might just open up two or three, maybe four of those bands.
I was playing in other rock bands. Any of those bands didn't last long.
A lot of bands have the enthusiasm kicked out of them by playing really dreary pub venues that just churn bands through.
I think there are plenty of good bands out there, but the great bands aren't affected by what's going on around them, trends and all that and competing with other bands and wanting to be the biggest, we find that happens a lot. Bands look at other bands and think: that's what I want, you know? I think that remaining.
As many bands as you heard [in New Orleans], that's how many bands you heard playing right. I thought I was in Heaven playing second trumpet in the Tuxedo Brass Band -- and they had some funeral marches that would just touch your heart, they were so beautiful.
I came up playing in both punk rock bands and hip-hop bands, and I found a more universal way of reaching people, especially with music that has a message to it.
There are so many bands that after their second record are headlining music festivals, and they're still... suited to playing in a tent. Very few bands when they headline a festival can pull it off.
I like to say that I do covers of my own songs. And I have about a dozen bands all over the world. That's no exaggeration. I have a South African band, an Australian band, Swedish bands, English bands, American bands. They're all notable musicians, too.
People always think I was just playing in a piano bar, but I only did that for about six months. The rest of the time I was playing in bands.
I started playing guitar at, like, 12 or 13 and just rock bands mostly. I had a punk rock band and hard core bands and all that.
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