A Quote by Tim Minchin
Because I'm on my own on stage and wear bare feet and look like a pixie, people always think I'm little.
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What I wear is everything - from how I carry my hair to what I'm wearing on my feet. I have to feel comfortable on stage, so I like to wear things that have room. My mood changes a lot, so sometimes I wear 6-inch heels, and other times I'll perform in bare feet.
Who I am on stage is very, very different to who I am in real life. But I don't see that having a sexy image when you are on stage means that you don't love God. No one knows what I'm really like from that. I like to walk around with bare feet and I don't like to comb my hair. I'm always so glammed up and so diva on stage and that's what they see. People don't understand that... No one knows my personal relationship with God and it's not up to me to prove that to anyone.
Here in London, you can go for picnics and have a barbecue; you can go to a park and wear bare feet, much like New Zealand. But there's just so much buzz going on; you can be inspired by anything and everything. There's always something to do. Always.
I always say that I've grown little flaps on a stage and I've got these little gills that open, because on the stage I'm in my element and I'm like a fish that's come out when I'm on land, which is filming. I'm never quite as comfortable as I am on the stage.
Everyone's talking about insoles nowadays, saying that it's a male necessity. To tell you the truth, I always use it because for people like me that started dancing at a very young age, it's more stable for me if my heel is pushed back a little. I wear it because it can make me dance better. But of course, since I wear it, my legs look longer too.
I don't like kitten heels. I just don't think they are an attractive shoe because they always look so stumpy. And I would never wear cowboy boots: a pointy toe and little heel is just not my thing.
Just because you're wearing something that's like a gown or what have you, you should wear it like you can take your shoes off and put your feet up and what I realized is that most people I love fashion-wise, they wear clothes like that. An ease to it. I thought that was a nice tool.
I'm still a really shy performer and can't wear high heels and need to be with bare feet.
In general-like not just in fiction but in life-it doesn't work out well when someone imagines someone else as a manic pixie dream girl or an Edward Cullen or anything other than a full, complex human being. That said, while I've tried to reflect that in my books, I don't think I've always succeeded, because I am always running up against my own insufficiencies and biases etc.
People ask why I do monochromatic clothes; the reason is because I'm thinking in proportion to the world. In this room, your head is going to look so much more interesting if it's on a monochromatic column. Whereas I think people think of outfits and gets a little too fussy, a little too detailed. I'm always thinking of the line of a person standing with their head in a room and I always feel like a stalk, or a stem, or a pillar is nicer. I always think of everything architecturally.
I'd like to think I wouldn't get booed off stage if I chose not to wear the head - I did gigs prior to having the head made and never had any problems. I'm aware though that, as a gimmick, it can create its own little monster as a brand.
What I always say to people is dress from the feet up. If you don't normally wear colour, try some colour on your feet; it's the place, I think you can have fun and update your outfit.
In my life, I don't wear makeup, I don't care about any of the trappings of the "feminine," or how I look in photographs. To me, it's irrelevant, which I think is really shocking to people in the industry that I'm in, because it's like, "You should always look good", but I honestly don't care. It's not important to me.
I always say that I don't like it when people follow trends too much, just because it is on the runway. I think what you wear really does need to reflect what your own personal style is.
You can be a little bit darker and rougher on the stage, partly because when you're in the theater, people have come to see you, and so they kind of know what they're in for. In television, you are sort of sneaking into people's homes. So, I think you can be a little bit darker on stage.
You can see the most beautiful things from the observation deck of the Empire State Building. I read somewhere that people on the street are supposed to look like ants, but that's not true. They look like little people. And the cars look like little cars. And even the buildings look little. It's like New York is a miniature replica of New York, which is nice, because you can see what it's really like, instead of how it feels when you're in the middle of it.
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