A Quote by Tim Minchin
It's about the audience - if they laugh and clap, you feed off that, and if they don't, you doubt everything you've ever done.
Related Quotes
When you're doing comedy on stage, it's great because you have the audience there and they're like another actor in the scene. You feed off of them, laugh. But in film when everyone's quiet, it's all about timing. But the key to that is to be authentic. Be in the moment, and if you play the moment truthfully, the humor will be there.
When people clap for me I say, don't clap for me, clap for what God has done.
In the vast majority of movies, everything is done for the audience. We are cued to laugh or cry, be frightened or relieved; Hitchcock called the movies a machine for causing emotions in the audience. Bresson (and Ozu) take a different approach. They regard, and ask us to regard along with them, and to arrive at conclusions about their characters that are our own. This is the cinema of empathy.
The gigs I enjoy are the ones where I'm so angry and paranoid, and I hate the audience so much, that I put everything into it to feed off the aggressive side of it. I don't actually hate the fans but when I'm feeling angry, pissed off, and full of hate, it's a good gig for me.
I'm really only happy when I'm on stage. I just feed off the energy of the audience. That's what I'm all about - people and laughter.
In MMA, you're trained to tune the audience out. In sports entertainment, you're trained to feed off what the audience is thinking and feeling.
I think it's so isolating to be trapped in your mind like that, when you doubt yourself, you doubt everything you've ever known. You doubt your family love you. You doubt your friends care for you.
I just feed off the energy of the audience.
I feed off the audience a lot, their energy.
The audience works as such a mob. They either all laugh or all don't laugh, and, you know, changes from audience to audience.
It's so much better for me to do a talk show. You still have that energy of the audience, and the audience is just as important as that guest that's sitting next to me. It's not about me and that guest exchanging energy and talking. It's about everything that's going on in that room, and they're as much a part of the show as anything. I like this better than anything I've ever done.
If you've ever watched anything that I do, and you completely give it a chance and take the blinders off, and you'll understand that the underlying theme of everything I've done has been about forgiveness, learning to move on.
A performance is only as good as the audience you are playing to. A lot of times you feed off of the audience, and we always try to give them all we've got and sometimes you don't get a lot back, but we've never been dead whenever we've performed.
If I say f*** the government, some will clap because they agree and some will clap just because you said f***. I've had countless audience members offer me free drugs but I also got free hernia surgery.
I was afraid no one would laugh, and I wanted to pretend I wasn't noticing the audience. I didn't want the audience to get the idea I was telling a joke and waiting for a laugh.
An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.
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