A Quote by Tim Minchin

I'm a comedian because I want people to like me. That's really why all comedians are comedians. — © Tim Minchin
I'm a comedian because I want people to like me. That's really why all comedians are comedians.
Some street jokes are just timeless. There's an old street joke about comedians. The joke is that a beautiful girl comes up to a comedian at the end of the night and says, "I saw your show tonight, and I just loved it. I want to go home with you, and I'll do anything you want." And the comedian says, "Were you at the 7 or the 9?" That's just a perfect joke, because it points out how egomaniacal and obsessive comedians are. Even though I'm not waiting for a groupie, I can completely understand it. It just defines how comedians are driven.
People are going to label you anyway, but the one that bugs me the most is when they say, 'One of the funniest female comedians.' There's s no 'funniest male comedians.' You're either a funny comedian, or you're not!
I try to stay with it and I try to stay in contact with comedians and just keep comedians in my life 'cause comedians are their own species. If you get away from them, especially as a comedian, I think it's dangerous.
I'm a comedian, and the other comedians are played by comedians, the same way that in 'Once' there are the musicians that hang out together.
A lot of times people will have after-parties or try and host an event for comedians, and they misunderstand us. They think it should be wild and crazy, or loud music, and comedians are typically pretty mellow people that just want to talk to each other. I think it would be highly unusual to find comedians who want to be at a loud, crowded party.
I knew nothing about professional comedians when I became a comedian. I was a rabbi. So I had no professional comedians to learn from.
I think there are different kinds of comedians, and I prefer the clowns who are going: 'I'm an idiot, aren't we all a bit like this, laugh at me.' Whereas, a lot of other comedians are saying: 'Aren't I clever? You want to be me, aren't I cool? Revere me.' Which is fine. But that's not my bag.
You can't expect everyone to laugh or applaud you for doing edgy things. Sometimes you'll miss. But I think comedians are artists and there's a value in failure. It kind of works both ways between comedians and audiences. The audience has to understand that comedians are going to sometimes tell a joke that doesn't work out with dark subjects, and the comedian has to understand that sometimes they 'll fail and it's not the audience's fault for not getting it or loving it.
There are a lot of comedians that were bullied and picked on, and that's why they became comedians. Survival of the fittest.
Comedians are the most challenging people for me to shoot. Because you're not actually in the dialogue with them, they are performing. When I work with a comedian, I become their audience.
I'm actually a big fan of Kathy Griffin because I think she's really funny. I think she's really self-deprecating, which is something I like to see in a comedian. I think those are really the best comedians: people who can make fun of themselves.
I try to be careful not to put the cart before the horse. I try not to create comedy for other comedians to like. I want everybody to like it. I want audiences to like it, but I also want comedians to like it. I'm selfish. I want everybody to laugh!
'2 Dope Queens,' it was just a way for us to showcase female comedians, showcase comedians of color, showcase LGBT comedians, and shake up the landscape and be like, 'Hey, there is more than just what is out there.'
When I first started, stand-up comedians writing novels was thought of as a great encroachment on the art form and people got very angsty. But comedians are storytellers so it's really a hop, skip and a jump.
A lot of times, people will have after-parties or try and host an event for comedians, and they misunderstand us. They think it should be wild and crazy, or loud music, and comedians are typically pretty mellow people that just want to talk to each other.
Every time I've done comedy in, like, traditional comedy clubs, there's always these comedians that do really well with audiences but that the other comedians hate because they're just, you know, doing kind of cheap stuff like dancing around or doing, like, very kind of base sex humor a lot, and stuff like that.
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