A Quote by Tim Minchin

When I came into comedy in 2005, I didn't even know there was discrimination against musical comics in the alternative-comedy strain. — © Tim Minchin
When I came into comedy in 2005, I didn't even know there was discrimination against musical comics in the alternative-comedy strain.
Neck-down comedy was no longer valid after the 1980s alternative comedy revolution. Everything became about the cerebral. And with that came positive things - it helped get rid of some of the sexism and homophobia - but it also meant a lot of physical comedy was lost.
My background is in musical comedy. I didn't know I was going to be an actor. But all my points of reference have to do with musical comedy and in being kind of a showoff.
I think that comedy really tells you how it is. The other thing about comedy is that - you don't even know if you're failing in drama, but you do know when you're failing in comedy. When you go to a comedy and you don't hear anybody laughing, you know that you've failed.
Comedy clubs were something that came to pass in the '80s, but toward the end of that, in the early '90s, people started doing comedy again in alternative spaces.
I was lucky to develop in the U.K. because I find comedy - in addition to being caustic - it's quite literary over here, and alternative comedy isn't so alternative.
I know that if any other comedian came up to me questioning something I did or said, it would be literally settled in a heartbeat. I love comedy. I give to comedy. I don't take from comedy.
Tragedy massages the human ego even as comedy deflates it. ... Tragedy pits us against large foes and the trip wire is our own character. ... In comedy we fall afoul of one another. Comedy depends on social life, on our behavior in groups. In tragedy you can observe one human against the gods. In comedy it's one human versus other humans and often one man (or woman if I'm writing it) against her own worst impulses.
A rap is a tweaked version of comedy, because comedy came first. People weren't spitting before they were doing comedy. Comedy has been relevant for years. It's the same art form, pretty much. Discovering that and applying it, I think that has made my stand-up better.
I will do comedy until the day I die: inappropriate comedy, funny comedy, gender-bending, twisting comedy, whatever comedy is out there.
On a practical level, I'm uncomfortable at comedy clubs because there are so many shitty dude comics who have made my life miserable. If I go to a comedy club and I look around, I don't know which of the dudes lining the wall told me that I was too fat to get raped. It makes me nauseous. But that was a couple years ago, and meanwhile, comedy has changed a lot.
I started working full time as a comedian in 2005, shortly after we did the Vince Vaughn 'Wild West Comedy Show.' I worked at the Four Seasons hotel from 1998 to 2005, so about seven years, just trying to put some food on the table and pay the rent while I went out to the open mics and got my feet wet with stand-up comedy.
When I grew up, one of comedy idols was Rowan Atkinson, who of course is Mr. Bean and uses physical comedy. Same with Jim Carrey. Both of those guys. And Peter Sellers. Most of my comedy idols are physical comics.
There is no difference between alternative and traditional club comedy. People think there's a difference, but I don't think so. It's like gay men versus straight men. There's no difference. They both like sucking penises. But truth be told, I don't even believe alternative comedy is a real thing anymore. I think at this point, it's just a buzz word to make things seem cool and different and hip.
I've always played comedy. My background is musical comedy theatre, and that's really where my training is.
There's comedy even in tragedy. There's comedy in life. And in 'Castle', we go for that comedy.
You know, I think British comedy is very smart comedy. You don't get too much dumb comedy over here. Or at least I haven't seen it. If I'm wrong about that, I apologize to all the dumb comedy makers over here.
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