A Quote by Tim Minchin
Comedy is often a short career because you get to a point where you are no longer a small thing punching up at targets; you are the big thing, and it's hard to write from that position.
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Writing is a weird thing because we can read, we know how to write a sentence. It's not like a trumpet where you have to get some skill before you can even produce a sound. It's misleading because it's hard to make stories. It seems like it should be easy to do but it's not. The more you write, the better you're going to get. Write and write and write. Try not to be hard on yourself.
I admit, I'm suspicious of any career planning that involves chasing the next 'big thing,' just because it's so hard to predict what the next big thing is going to be a couple of years - or even six months - out.
I feel like, big city or small town, you can relate to following your parents' footsteps or putting your own dreams on the back burner or vices that we get caught up in - that whole cycle. That's not just a small-town thing. That's a life thing.
When I started comedy, I was a big Eddie Murphy fan. I thought if you did stand-up, you were supposed to know how to act, write, and host. I thought it was all one thing. That's why it doesn't feel like I'm transitioning to acting: because in my stand-up, I do characters all the time.
When I was growing up, This is Spinal Tap [1984] was the ultimate comedy, and it was the kind of thing I wanted to do. But you get to a point with parody where you can't go much further because ultimately it's feeding off of somebody else's creativity.
I was a 36C or D, and at 5' 1'', I knew that being a small person with big boobs standing in front of an audience was not going to be easy. It would be really hard to get people to pay attention to me without mocking me. Getting a breast reduction to prepare for my career was no different from people who work to get good grades to get into a good college to get into a good graduate school to get a good job. I went down to a B cup, and it was the best thing in the whole world.
A lot of stand-up comedy guys, when they get a little famous, just give up their stand-up career, and it cancels out the thing that set them apart.
I guess you get pigeon-holed in Hollywood, but I'm ok with that because I've been able to do a lot. I started in the theater, then I went to stand-up comedy, and then when I went into the movies to do comedy and drama and big movies and small movies.
The strange thing about writing is that it's so easy to write a novel. It is really easy. But it's getting there to the point where it's easy that's hard. The hard part is to get there.
I am here to win trophies, you know, to help the team to reach our targets. I feel blessed to have the opportunity to bring my small thing to the big machine. You know, for Chelsea.
Comedy is hard to do, and I don't know why it doesn't have its own category in awards. I don't understand why people think it's harder to do drama than it is to do comedy. It doesn't get respect. It's hard. It's really hard. It would be more gratifying to get something for a comedy, because it doesn't happen much or at all.
I do my own thing. I'm very much in the paradox of things. I enjoy the little things in life, what's big is small and what's small is big. It might not be the coolest thing to do, but it's important to me.
A film can be big or small - I have to just fall in love with it. To connect with the character, the script, and the director. Sometimes they say to you, 'You should do that for your career; it's a big thing, people will go and see it,' but I wouldn't be able to, because my heart wouldn't be in it. I would drive people quite mad.
Our first thought growing up was that we want to be together always so we didn't want to play the same position. You see a lot of twins play the same position because they are so alike. That was a big thing for us that we taught ourselves, and luckily it ended up paying off.
I might try that one thing, you know, that thing people do when their eyes get all wet and stupid—what’s it called? Crying? Or NOT. I might PUNCH you instead and trust that you won’t punch me back because of my endearing smallness. It would be like punching a child.
When you are famous it is hard to work on small problems. This is what did [Claude Elwood] Shannon in. After information theory, what do you do for an encore? The great scientists often make this error. They fail to continue to plant the little acorns from which the mighty oak trees grow. They try to get the big thing right off. And that isn't the way things go. So that is another reason why you find that when you get early recognition it seems to sterilize you.
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