A Quote by Tim O'Brien
The goal, I suppose, any fiction writer has, no matter what your subject, is to hit the human heart and the tear ducts and the nape of the neck and to make a person feel something about the characters are going through and to experience the moral paradoxes and struggles of being human.
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Jazz is really about the human experience. It’s about the ability of human beings to take the worst of circumstances and struggles and turn it into something creative and constructive. That’s something that’s built into the fiber of every human being. And I think that’s why people can respond to it. They feel the freedom in it. And the attributes of jazz are also admirable. It’s about dialogue. It’s about sharing. And teamwork. It’s in the moment, and it's nonjudgmental.
Knowledge is humanistic in quality not because it is about human products in the past, but because of what it does in liberating human intelligence and human sympathy. Any subject matter which accomplishes this result is humane, and any subject matter which does not accomplish it is not even educational.
It's all the stuff I've been through in my life. From family struggles, people doubting me, things I went through as a child and going to prison, they all played a factor in who I am today. It really made me a better person. Going through those situations can make or break you as a human being.
Perfection isn't human. Human beings are not perfect. What evokes our love--and I mean love, not lust--is the imperfection of the human being. So, when the imperfection of the real person peaks through, say, 'This is a challenge to my compassion.' Then make a try, and something might begin to get going.
What genres are good for is being like, 'Here are the parameters. Here's something about the way it's going to make you feel. And here's something about the subject matter.'
That is the thing about being a writer; your subject matter may not stay your subject matter if you break their trust by revealing personal and editorialized information about them.
Disgust relies on moral obtuseness. It is possible to view another human being as a slimy slug or a piece of revolting trash only if one has never made a serious good-faith attempt to see the world through that person’s eyes or to experience that person’s feelings. Disgust imputes to the other a subhuman nature. How, by contrast, do we ever become able to see one another as human? Only through the exercise of imagination.
I think that music, being an expression of the human heart, or of the human being itself, does express just what is happening - the whole of human experience at the particular time that it is being expressed.
Any writer of any worth at all hopes to play only a pocket-torch of light - and rarely, through genius, a sudden flambeau - into the bloody yet beautiful labyrinth of human experience, of being.
I've always preferred writing about grey characters and human characters. Whether they are giants or elves or dwarves, or whatever they are, they're still human, and the human heart is still in conflict with the self.
There is something really horrific for any human being who feels he is being consumed by other people. I'm talking about a writer's critics, who don't address what you've written, but want to probe into your existence and magnify the trivia of your life without any sense of humor, without any sense of context.
Whenever a human being ceases to live for themselves and begins to care about that which is greater than themselves, the personality begins to experience ecstasy, joy and spontaneous liberation. And that's found through doing, through action, through giving, through deeply embracing the human experience.
I tend to think of fiction as being mainly about characters and human beings and inner experience, whereas essays can be much more expository and didactic and more about subjects or ideas.
As a writer, my goal, (which I'm never going to achieve, and I know that, and no writer can achieve that,) but my goal is to make you almost live the books. I want you to fall through that page and feel as if these things are happening to you.
No matter what message you are about to deliver somewhere, whether it is holding out a hand of friendship, or making clear that you disapprove of something, is the fact that the person sitting across the table is a human being, so the goal is to always establish common ground.
If your every human plan and calculation has miscarried, if, one by one, human props have been knocked out, and doors have shut in your face, take heart. God is trying to get a message through to you, and the message is: "Stop depending on inadequate human resources. Let me handle the matter.".
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