A Quote by Tim O'Brien

For me, the way to approach a subject such as Vietnam is through storytelling. — © Tim O'Brien
For me, the way to approach a subject such as Vietnam is through storytelling.
I think that story ballets, as great as they might sell, they're a really dated and awkward medium to tell stories through. I think there needs to be an updated or different approach to storytelling in dance. There needs to be less of a separation between the storytelling and the dancing.
I've always wanted to explore characters of all races, all genders, all ages. It just seems to me to be a natural way to approach any kind of storytelling.
Any narrative, whether it's fiction or not, you have to approach it as though it really happened to you. I think that's the only way to get inside the characters and make the narrative work. It's a storytelling tradition, and I think to come off as genuine then you have to really approach it that way.
When I was at college, the idea of fashion was more immediate to me, whereas art photography, the depth of it, was a different thing. Storytelling - fanciful storytelling - can only be told through fashion photography. It's the perfect way to play with fantasy and dreams.
Because there is less female storytelling, especially motherhood storytelling, there has been immense pressure on my storytelling to represent more people, and to do so in a sort of unrealistic way.
I'm not an academic philosopher, and don't agree with the way the universities approach the subject. I'm a philosopher only in the very loose sense of someone interested in wisdom and well-being attained through reason. But I'm as interested in psychoanalysis and art as I am in philosophy.
In December 2011, I will be opening up my production house, Sharmeen Obaid Films, and aspire to change the way Pakistanis approach nonfiction storytelling. There are thousands of stories to be found here.
I think, actually, any morality system that rewards only the extremes is a flawed system. Players don't approach life that way, they don't approach games that way, and they shouldn't be trained to approach games that way. They shouldn't be in the 'Star Wars' mode where, 'I've got to choose every good option.'
Most people put the cart before the horse, which is an interesting way to go through life. They approach everything directly. In Zen we approach everything backwards or inside out.
I may love individual people, but I am contemptuous of the arrogance , and in a way, it's both ruined me and fuels me. It's ruined me because nobody cares about these issues, and then it's the source of most of my storytelling now, because I am so preoccupied with it. It fuels me, because this is my outrage. I do believe in that great tradition of literature and storytelling. You know, the downfall and the folly of it all.
My film isn't about Vietnam. It is Vietnam. It's what it was really like. It was crazy. And the way we made it was very much like the way the Americans were in Vietnam. We were in the jungle, there were too many of us, we had access to too much money, too much equipment and little by little we went insane.
Too many brands treat social media as a one way, broadcast channel, rather than a two-way dialogue through which emotional storytelling can be transferred.
The first 'Bad Company' was a kind of reaction to the Vietnam war - or at least a reaction to how Vietnam had entered the cultural life through films and books.
I'm a Vietnam veteran. I was here when there was no public support, not just for the effort in Vietnam, for the mission in Vietnam, but for our men and women in uniform.
Someday, I'd like to sit down with a small group of people, in a relaxed environment, and make a film that feels more independent. That way we can be a little more free in terms of storytelling and subject.
I don't like taking a sly picture on the side. I like the direct approach. I want to be as honest to myself and the subject as possible. And I'm depending on their humanness to come through.
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