A Quote by Tim O'Brien
The word war itself has a kind of glazing abstraction to it that conjures up bombs and bullets and so on, whereas my goal is to try to, so much as I can, capture the heart and the stomach and the back of the throat of readers who can lie in bed at night and participate in a story.
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When writing, I'm not thinking about war, even if I'm writing about it. I'm thinking about sentences, rhythm and story. So the focus, when I'm working, even if it's on a story that takes place at war, is not on bombs or bullets. It's on the story.
I wasn't trying to write a corrective novel - that would just end up tasting like medicine, and I tried to stay away from polemics as best I could. I think that, if anything, Fobbit is my way of showing readers there's another side to war - the backstage of combat, if you will. If you play a word association game with Americans and say "war," what's the first thing that comes to mind? Soldiers running across a battlefield through a hail of bullets, right? Rambo, smoke, explosions. In Fobbit, I hope readers will see something a little different
The ear is profound, whereas the eye is frivolous, too easily satisfied. The ear is active, imaginative, whereas the eye is passive. When you hear a noise at night, instantly you imagine its cause. The sound of a train whistle conjures up the whole station. The eye can perceive only what is presented to it.
When I was growing up, it was 'Communists'. Now it's 'Terrorists'. So you always have to have somebody to fight and be afraid of, so the war machine can build more bombs, guns, and bullets and everything.
I'm always amazed at friends who say they try to read at night in bed but always end up falling asleep. I have the opposite problem. If a book is good I can't go to sleep, and stay up way past my bedtime, hooked on the writing. Is anything better than waking up after a late-night read and diving right back into the plot before you even get out of bed to brush your teeth?
The weapons of the positive revolution are not bullets and bombs but simple human perceptions. Bullets and bombs may offer physical power but eventually will only work if they change perceptions and values. Why not go the direct route and work with perceptions and values?
Never pass up an opportunity to speak a kind word of appreciation. There are six billion people on the planet, and 5.9 billion of them go to bed every night starving for one honest word of appreciation.
If somebody has a bad heart, they can plug this jack in at night as they go to bed and it will monitor their heart during the night, and in the morning, when they wake up dead, there'll be a record.
Anyone can write a story based on the kind of horror where you see a guy in car and then there's the bad guy in the back seat. It's infantile to rely on that for telling a story. That's like going to bed and thinking there's a monster under your bed. It's silly.
I write in expectation that readers want to participate in a kind of two-sided game: They are trying to guess what I am up to - what the story's up to - and I'm giving them clues and matter to keep them interested without giving everything away at the start. Even the rules, if any, of the game are for the reader to discover.
The morning I got up to begin this book I coughed. Something was coming out of my throat: it was strangling me. I broke the thread which held it and yanked it out. I went back to bed and said: I have just spat out my heart.
While making "Possessed", I wept each morning on my drive to the studio, and I wept all the way back home. I found it impossible to sleep at night, so I'd lie in bed contemplating the future. I fear it with all my heart and soul even as I fear the dark.
A question: when is a bed not a bed? When it is angled lie-flat. My back hurts, my legs ache and my clothes are all rumpled - and all because the airline, which claimed to have a bed, actually offered up a torture machine which I prefer to call a slide.
All those involved in the firebombing of Tokyo .. were war criminals interviews recorded in the movie The Fog of War.. the firebombing of Tokyo occurred before the atom bombs.. 100,000 civilians died in one night from American bombs.. 500,000 altogether over several days say some.
And for better or worse, a story like 'Pieces of April' is the kind of story I'm supposed to tell. The kind of story that makes you laugh as much as possible but also breaks your heart.
I sometimes lie, especially about personal things, because what does it matter? I am a kind of minute commodity. My name is no longer my own. I try to lie as much as I can when I’m interviewed. It’s reverse psychology. I figure if you lie, they’ll print the truth.
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