A Quote by Tim O'Brien

We tend to regard history as true and 'The Adventures of Huckleberry Finn' as untrue. That's always puzzled me. — © Tim O'Brien
We tend to regard history as true and 'The Adventures of Huckleberry Finn' as untrue. That's always puzzled me.
I haven't the stature to critique one of our literature's great novels, Tobias; and I'm not one of those who believe The Adventures of Huckleberry Finn needs critiquing for literary or social reasons.
Like every child growing up in America, I read 'The Adventures of Tom Sawyer' and 'Huckleberry Finn.' I liked them well enough, but I didn't love them.
Madeleine L'Engle's 'A Wrinkle in Time' has been targeted by censors for promoting New Ageism, and Mark Twain's 'Adventures of Huckleberry Finn' for promoting racism. Gee, where does that leave the kids?
Mark Twain was an artist working at the highest level. He wrote a book, his masterpiece, The Adventures of Huckleberry Finn, that put America on the world stage for literature. It's almost as if, if you start reading that book as a racist, you cannot finish it and still be a racist.
Hillary has her work cut out for her. Her Democratic challengers are a 'Who's Who' of 'who's that?' Jim Webb, Lincoln Chafee, Silas Phelps, Peter Wilks... now those last two were characters from The Adventures of Huckleberry Finn. You didn't even notice, did you?
All modern American literature comes from one book by Mark Twain called Huckleberry Finn.
Since 'Huckleberry Finn,' or thereabouts, it seemed that all American literature was about the alienated hero.
I actually got a crush on Anne Heche when I worked with her on Huckleberry Finn. It didn't work out.
I don't believe in children's books. I think after you've read Kidnapped, Treasure Island, and Huckleberry Finn, you're ready for anything.
It's so wrong when I pick up a new edition of Huckleberry Finn and I look at the last page and it doesn't say, Yours truly, at the end.
If Mark Twain had had Twitter, he would have been amazing at it. But he probably wouldn't have gotten around to writing Huckleberry Finn.
I lived an idyllic 'Huckleberry Finn' life in a tiny town. Climbing trees. Tagging after brothers. Happy. Barefoot on my pony. It was 'To Kill a Mockingbird'-esque.
I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.
In 'Huckleberry Finn,' I have drawn Tom Blankenship exactly as he was. He was ignorant, unwashed, insufficiently fed; but he had as good a heart as ever any boy had.
By reading Huckleberry Finn I felt I was able to justify my act of going into the mountain forest at night and sleeping among the trees with a sense of security which I could never find indoors.
One of our continuing myths was summed up in Huckleberry Finn: Our escape, what we think of as our escape, is that we can always light out for the territories. Well, we really can't, not anymore, but that's part of the American character - that belief that at any moment, I could just drop the coffee cup and disappear. And it makes for a different self-image and a different story, in a way.
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