A Quote by Tim Pigott-Smith

The Almeida's artistic director, Rupert Goold, brought me Mike Bartlett's 'King Charles III' with the slightly apologetic warning that it was in blank verse, but, of course, that appealed to me.
Performing King Charles in Mike Bartlett's astonishing play in London and New York has been one of the high points of my career.
When you have young children, it is hard to see live performances. Unless I am in it. I do manage to see my husband Rupert Goold's work, of course.
I've written on public matters, but I don't understand how anyone could tout me as a possible poet laureate when I wrote a poem on the abdication of King Charles III or about the sex life of the Royals... anybody who knew my work would know I'm not a contender.
Mike [Mitchell] brought me on as co-director, and eventually we ended up sharing a brain. It was overwhelming initially when I was working with departments I hadn't had contact with before.
He that plays the king shall be welcome- his Majesty shall have tribute of me; the adventurous knight shall use his foil and target; the lover shall not sigh gratis; the humorous man shall end his part in peace; the clown shall make those laugh whose lungs are tickle o' th' sere; and the lady shall say her mind freely, or the blank verse shall halt fort.
I like it when I can sing half of a verse and throw the mike in some kid's face, and they sing it right back to me.
Here, then, is a simple rule of thumb for all of us to apply: If the words of Jesus challenge something I believe or challenge the way I live, the problem is not with Jesus. The problem is with me. Charles Spurgeon expressed this in broader, scriptural terms when he said, “If there is any verse that you would like left out of the Bible, that is the verse that ought to stick to you, like a blister, until you really attend to its teaching.”31
In return for financial support will advocate admission of Jews to England; This however impossible while Charles living. Charles cannot be executed without trial on adequate grounds for which do not presently exist. Therefore advise that Charles be assassinated, but will have nothing to do with arrangements for procuring an assassin, though willing to help in his escape. [King Charles I was in prison at the time].
The character is important, of course, but I like when there's intelligence in a movie. I like when it's, how do you say, sensible. So for me a film is very subjective, and it's a point of view. I like to be brought into a world of a director.
My verse has brought me no roubles to spare: no craftsmen have made mahogany chairs for my house.
Little Richard was it for me, man. Later, it was Ray Charles and Bobby 'Blue' Bland, B.B. King.
Let it crumble! Let the rocks revile me and flowers wilt at my coming. Your whole universe is not enough to prove me wrong. You are the king of gods, king of stones and stars, king of the waves of the sea. But you are not the king of man.
When me and Mike Tyson were around, we played king of the hill. Whoever comes to the hill, you get your behind whooped. We don't pick and choose. I fought guys when I had fractured wrists and ribs, bad backs, I didn't care. I was the king of the hill; Tyson was king of the hill. When we left, people were trying to get the 'most money fight.'
What brought me to Bellator was Scott Coker, Viacom, and one of my good friends, Mike Kogan.
Noticing and remembering everything would trap bright scenes to light and fill the blank and darkening past which was already piling up behind me. The growing size of that blank and ever-darkening past frightened me; it loomed beside me like a hole in the air and battened on scraps of my life I failed to claim. If one day I forgot to notice my life, and be damned grateful for it, the blank cave would suck me up entire.
I brought my personality to HQ. I injected my DNA into this thing. They gave me a blank slate to work with.
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