A Quote by Tim Pigott-Smith

Understand me, Hollywood miniseries are very popular in England. But British miniseries make a tremendous mark on the national consciousness. They become part of the national culture and mythology... at least for a time.
What prevailed was that it was a family story, so it didn't matter what the color. It was also the perfect subject matter for a miniseries: A best-selling book, a generational story, a social problem - they all made 'Roots' what a miniseries should be.
Many things have changed in our culture here in England as a direct result of the Pistols: the whole street-fashion thing in London, for example, or the coverage of popular culture in the national press, or the fact that the film industry is now about young people making films about young British issues.
I was growing up in England and England was the only national team I knew, so I was actually very pleased to play at the national level.
I read that book, 'Lonesome Dove,' and I told my agent that they were gonna make a miniseries out of it and I wanted to be in it. I didn't care what part.
It would be wrong to interpret the growth of British national consciousness in this period in terms of a new cultural and political uniformity being resolutely imposed on the peripheries of the island by its centre. For many poorer and less literate Britons, Scotland, Wales and England remained more potent rallying calls than Great Britain, except in times of danger from abroad. And even among the politically educated, it was common to think in terms of dual nationalities, not a single national identity.
In a culture fueled by burnout, a culture that has run itself down, our national resilience becomes compromised. And when our collective immune system is weakened, we become more susceptible to viruses that are part of every culture because they're part of human nature - fear-mongering, scapegoating, conspiracy theories, and demagoguery.
To think that guys who grew up in the '60s would make a miniseries supporting the idea that Oswald acted alone is something I certainly wouldn't have predicted. But time and evidence can change the way we view things.
The most violent and troubling stories become part of our national consciousness about foster care.
We've seen a departure from the traditional work of the National Security Agency. They've become sort of the national hacking agency, the national surveillance agency. And they've lost sight of the fact that everything they do is supposed to make us more secure as a nation and a society.
Britain First, the English Defence League, the British National Party, and the National Front are all guilty of using British symbols and institutions (notably support for the Armed Forces) to attempt to further their own deeply objectionable beliefs.
I think UKIP [ UK Independence Party] and the BNP [British National Party] are very, very English concerns. If they gather strength they're going to add to this schism between Scotland and England.
They're still a subject beholden to special interests, but at least they have a national constituency. At least they have to think about national majorities.
I've been very fortunate in my career to work across a lot of different mediums. I've hosted, I've narrated, I've acted in television, miniseries, film - all of which are very, very different in the way they tell stories.
I don't call four hours a miniseries.
I love the 'Mildred Pierce' miniseries.
What we've seen over the last decade is we've seen a departure from the traditional work of the National Security Agency. They've become sort of the national hacking agency, the national surveillance agency. And they've lost sight of the fact that everything they do is supposed to make us more secure as a nation and a society.
This site uses cookies to ensure you get the best experience. More info...
Got it!