A Quote by Tim Rice

There is already huge public interest in stage musicals. — © Tim Rice
There is already huge public interest in stage musicals.
There are no large-scale original musicals being made right now. They're all Broadway adaptations and jukebox musicals or catalog musicals, and they just don't interest me as much.
If you are given a public responsibility, you have to listen, weigh up all the issues, but ultimately you have to form a view of what you genuinely think is in the public interest... put the public interest above the vested interest.
Public interest criteria does not mean criteria that the public decides are in its interest. It means that the elite - via various appointed bodies - decide what the public's interest is for them.
I had done quite a bit of stage when I was younger, local stuff, musicals. Then I started professionally, I suppose, when I was 11, in London, in the West End, which was already huge for me.
I do know one thing: I wish people were doing more dangerous musicals, more courageous musicals and not just falling into the trap of trying to figure out what the public wants, because you find out that the public very often wants what's good.
What do we mean by the public interest? Some say the public interest is merely what interests the public. I disagree.
The musicals that I love on stage are generally meant for the stage.
The reason to go public is that it is a massive branding, marketing, credibility, trust-building exercise with your customers, and then it allows you to consolidate power and scale and market share. Do we want to be a huge company with a huge impact? If the answer to that is yes, the only way that that happens is by going public. It is effectively a branding event that catalyzes interest. It helps with recruiting, it helps with marketing, it helps with sales. It just helps on many dimensions. I think it's basically a litmus test for the CEO's ambition.
The papers feed the public interest but then the public interest demands more in the press and speculation can look like fact.
I can't tell you how important it is for people on the public stage to utilize that stage in a constructive, positive way. When you're in the public eye, you have a decision to make - whether you are going to be an influence or not.
Now listen to the first three aims of the corporatist movement in Germany, Italy and France during the 1920s. These were developed by the people who went on to become part of the Fascist experience: (1) shift power directly to economic and social interest groups; (2) push entrepreneurial initiative in areas normally reserved for public bodies; (3) obliterate the boundaries between public and private interest -- that is, challenge the idea of the public interest. This sounds like the official program of most contemporary Western governments.
There's a huge interest in the Chinese market, and Hollywood has a huge interest in the Chinese market with films like 'Transformers' making more money over there than here.
When we control business in the public interest we are also bound to encourage it in the public interest or it will be a bad thing for everybody and worst of all for those on whose behalf the control is nominally exercised.
... between government, business, and the public, there is a triangular community of interest. Clearly, it is in business' interest to shape its behavior to prevailing public values; it is more efficient to do so than not to do so. It is also clear that government is the high-cost alternative through which public values are imposed on corporations that do not accurately perceive these values.
I got on stage and I went, "Oh wow. No stage fright." I couldn't do public speaking, and I couldn't play the piano in front of people, but I could act. I found that being on stage, I felt, "This is home." I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, "That is the conversation I want to have."
They may then be willing to cast principled votes based on an educated understanding of the public interest in the face of polls suggesting that the public itself may have quite a different understanding of where its interest lies.
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