A Quote by Tim Rice
If you now have 20 previews, you will regard 19 of them as super-rehearsals, which is fine, except you are being watched by thousands. I remember suggesting on more than one show over the years, 'Let's not have any previews.' But no one agreed with me. If you could do that, however, it would be a great gimmick - no previews, just opening night.
Related Quotes
I went to the opening of 'Sister Act,' and I had such a great time. I had no idea what it was about, and I had never seen the movies. But I heard the show went through some major last-minute craziness in previews, and man, opening night was really fun and really entertaining.
I’ve loved the whole process. From previews to rehearsals, I’m in the best company. I’ve done one West End show before this but the excitement here…it’s incredible. It’s been a real education working on this, I don’t feel worthy. The role is over the top, bold and ridiculous.
I've done three Broadway shows; once the curtain goes up, that's it. I mean, you prepare and you rehearse like crazy, but after opening night, the director's not there anymore, you know. He gives you notes during previews after each performance, but opening night, you're on your own.
I just hate when things get labeled as "black movies." I don't say, "Oh, this weekend, I want to see an all-white movie," or "I want to see a black movie." I just go to a movie because I saw the previews and I relate to it. I want to see it because the previews look interesting.
It's fascinating to watch the progress that is made during previews. The coolest thing is watching the actors take over the show, and make it there own.
I've seen Animal House two and a half times now at sneak previews with a real audience, and the reaction was great.
At early previews, the theater gossips are there, wishing you ill every night. They don't grant you any slack. Agents are in from Hollywood. Your friends are there. People who are going to spread the word-of-mouth. If something doesn't work, everyone will know.
I'm someone who started in the theater and really couldn't stand repeating the show. My favorite part of acting is the five or six weeks of rehearsal that you get. I like doing previews; I like the opening week because my friends and family come, and then after that, I don't want to do it anymore.
Most dressing rooms are sterile and they feel like someone else's space. But over two weeks of previews, before the show officially opens, they transform - filling up with cards, flowers, home comforts.
There is nothing better than getting something in front of an audience in a less stressful setting than previews!
There were no previews; we made the film we wanted to make.
The cliche was always that 'everybody's a critic,' but it becomes truer every day. Long before reviews appear in the traditional outlets, you can now usually discover - somewhere in the thickets of the Internet - reactions to shows from people who've seen them in previews.
In theatre, previews are the first draft of a show. I strongly believe that. The only way we can truly tell whether that draft works is by having an audience present.
Wonderful things happened to me - I met my husband, I got invited to previews and premieres, I was asked to do fashion shoots and front covers of magazines. You've just got to embrace it and do the best you can.
Leave horror previews for horror movies. At least you know the people going have made a choice that they want to see them.
I love theatre. It's far more satisfying than film. Sometimes there's a collective sigh from the audience, or it's so quiet you can hear a pin drop. I couldn't believe how easy acting was when there's an audience; after a few previews I almost couldn't do it without one.
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