A Quote by Tim Robbins
I grew up in New York, and I have that in me, that be-honest-at-all-costs, don't b.s. me attitude. I say, If you've got something to say about me, say it to my face. And then we'll either talk about it or fight about it.
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I'm a counterpuncher. I don't have a choice. If you look what they say about me, it's terrible. I mean, they say terrible things about me. Bobby Jindal - I mean, you talk about lightweights, this guy is a real lightweight. And he hit me - I don't even know this man - and he hit me because - and they're not hitting me on fact. They're hitting me in order to try to pick up something in their polls.
We got to face some facts. That the masses are poor, that the masses belong to what you call the lower class, and when I talk about the masses, I'm talking about the white masses, I'm talking about the black masses, and the brown masses, and the yellow masses, too. We've got to face the fact that some people say you fight fire best with fire, but we say you put fire out best with water. We say you don't fight racism with racism. We're gonna fight racism with solidarity. We say you don't fight capitalism with no black capitalism; you fight capitalism with socialism.
I have three boys. And I wanted to make sure it connected with them and then those guys who grew up like me, in environments like me.And then I knew something about science that your New York Times reader would be interested in. So I was thinking about it in multiple ways: I'll connect with the people who grew up like me first, and then the New York Times reader will be interested in the science because it's so good and they want to be "in the know."
It's botherin' me, man. You know, you can't say this, you can't say that, I'm like, well, how am I gonna talk about the world? You know? I mean I need to talk about something to you all, can I - can I do it? Can I talk to y'all? I mean, I hope the kids are in bed, you know, because I got to talk, y'all.
When people, especially from France, would ask me to talk about or so they could write about New York Jewish humor, I'd say I don't know anything about New York Jewish humor. I know who Zero Mostel was and I know Mel Brooks, but that's about all I could tell you about New York Jewish humor.
You're not going to say anything about me that I'm not going to say about myself. There's so many things that I think about myself; if someone really wanted to get at me, they could say this and this and this. So I'm going to say it before they can. It's the best policy for me.
I don't want to stand with somebody's praise. Whereas now when people come up to me, they say, "I love the bookstore" and "Kids! Come here, come here! This is the woman who owns the bookstore." That's incredible. I can say to that, "Thank you for shopping local. Thank you for coming in. What are you reading? Let's talk about books." It's about something I'm doing as opposed to somehow something I am. I feel comfortable and positive in that role. Because it's about reading. It's about books. It's about learning. It's about business and tax base.
People roll their eyes and say, "Oh god, he's not rich or famous." I say it's relative. I mean, look at me: I'm 115 pounds and I grew up without money. To me, I'm rich because I don't have to worry about paying rent. I don't think about money now.
I can't see myself ever having somebody say something about me on a song and me being like, 'All right, now I'm about to say something about them on a song.'
I can't stay mad very long. I get grumpy when I read a bad review. I say, 'How could he say that about my music?' Then I forget about it. If I got mad every time somebody wrote something negative about me, I'd be exploding all the time. I'd be burned out just from reading reviews.
You can't expect somebody to speak out on a certain subject. If they want to say something about it, then say something about it. But artists have a choice. It's their choice. I choose the stuff I talk about, but it's not my responsibility to do it.
Treasure is the kind of thing you dig up... or bury! And when people say, 'Oh, he's an icon,' well, an icon is a very old painting hanging in a Russian church! If you want to say something, say something nice about me. Don't call me a national treasure.
What happens at the average church or synagogue or mosque is that I don't know many priests or ministers or rabbis who say to their congregation, 'go home and talk about the religion at the kitchen table with your kids...talk about God, talk about what this is all about.' They say in general, come back on the weekend, we'll talk to you about it.
I never talk about me mates behind their backs, you know. I might have a laugh, but whatever I say about them I'll certainly say it to their faces.
Marvin Gaye said there's a song inside of me and I can't get it out. And I know it's in there, and I can feel that it's in there, and I can't get it out. There's so much that I want to say, and I haven't been able to figure out how to say it in my art. I can only say it in ham-fisted, clumsy, nonpoetic ways, and I'm trying to figure out how to talk about life and talk about love and talk about pain and trials and tribulation in an artistic form.
It's good to have critics because that's what motivates you and helps you take your game to another level, They talked about Michael Jordan and said he didn't have a jump shot. They say the same thing about me ? I can't throw the football and all that. Say whatever you want about me. It makes me strive harder.
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