A Quote by Tim Robbins

Directing is creating a whole. You're able to combine different elements and create a film that is unique and true to your vision. — © Tim Robbins
Directing is creating a whole. You're able to combine different elements and create a film that is unique and true to your vision.
What I've learned from different designers is that it's key to be true to who you are and your vision. That's always been my line of thinking. Working through the whole design process, I don't want to create something I wouldn't be proud to wear.
I try to combine in my paintings cinematic feeling, emotional feeling, and sometimes actually writing on the page to combine all the different elements of communication.
I think for most new kids it’s important to sound different from the rest, to have your own sound, to be able to produce something that’s not there yet . . . If you want to be unique and you want to be a big DJ, create your own style, create your own signature.
With 'Duke Nukem Forever' it was a different level of commitment for me with reference to helping the creators be true to their vision. I've been able to enjoy this game as much as a fan as I am a part of the creative process, and that's a very rare and unique for me.
When creating 'Cowboy Bebop,' I thought it would be more interesting if I added different types of elements together to create something that was completely new.
It is clothes. It is parts. Therefore, you combine the parts differently to create your own unique expression.
The prospect of being able to work on a Kaufman film with him directing was just too good to be true.
It’s so important to create in your own voice, to hold onto what makes you unique, and have faith in your vision.
I always relish the idea of collaborating with the director on creating the sound world, the sound spectrum, and the sound environment of the film. I use every means at my disposal to create a score that is as strong and powerful to enhance the director's vision for the film.
In an organic environment, every place is unique, and the different places also cooperate, with no parts left over, to create a global whole - a whole which can be identified by everyone who is part of it.
Herzog and Malick both have this very unique naturalist intentionality to their process. It's about creating the mood, creating the focus and having discipline, but not prescribing what the performance was supposed to be. Neither of them are really directing their actors into a performance.
When you're making a film, you don't really have time to consider what the whole of your film is. And then, when you're releasing your film and promoting your film, you're looking at it in a different way. Then, as you move away from it, you start to look at it objectively and think, 'What could I have done better?'
Finding and creating your life's work, even if it is entirely different from what you have done most of your life, will bring you more happiness and health than any other action you can take. If your primary responsibility in life is being true to yourself, that can only be accomplished by carrying out what you are called to do - your unique and special vocation...Your life's work involves doing what you love and loving what you do.
I've always been creating my whole life, you know. I've just had a need to create, whether it was sculpting or writing or directing. It's just ever since I was a kid, I don't know.
To be able to create a platform that's innovative and different that incorporates technology you couldn't incorporate before is an interesting and unique opportunity.
When I'm acting, I'm just worried about that piece of the pie, contributing to the whole. But when you're directing, you... get the vision out of your head and on the stage.
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