A Quote by Tim Robbins

I started getting on my feet and clowning around, and they ended up putting me in a play when I was 12. And I was hooked. — © Tim Robbins
I started getting on my feet and clowning around, and they ended up putting me in a play when I was 12. And I was hooked.
There was a cute girl on the crew that I was trying to impress during a very elaborate stunt. I winked at her and, when I started running, proceeded to lose my balance, fall, banged my knee, and ended up sprawled out 12 feet in the air.
I ended up getting kicked out of my house when I was 16, and I went off to college. When they actually saw that I was getting some kind of stability as far as having a career in this business is when they started coming around.
I wound up getting a lot of other opportunities in the nineties, and then sort of as quickly as it started, it just as quickly ended around 2001. And so yeah, I'd love to continue acting but it's just not up to me.
So I realized when I was successful in a piece, it was because I didn't abandon a notion early on what it ought to be, and I let it take me along. So I've had songs that started out as being about the environment and ended up being love songs and love songs that ended up being about the environment. I've had things that I thought would be a poem and realized that it was just too big for that. I've got to do something larger and it became a play. I wrote one poem that started a whole play.
I was always one who was clowning around in school and getting in trouble.
Me and a mate picked up two darling birds and they took us back to their flat. I went into the bedroom with my bird and she started getting undressed. I was that drunk I was standing there wondering how to get undressed without letting go of the award. I went to sit on the bed, missed it by four feet and ended up lying on the floor. I remember the bird looking down at me, and saying, ‘Some player of the year.’ Then I fell asleep. I woke up still clutching my award and staggered out of the flat. I hadn’t a bloody clue where I was.
I'm quite shy, really. The figure you see on TV, that's just a persona. I like getting home, putting my feet up, getting into my slippers and dressing gown.
Back home, if you get scored on, you're the weak link. When I started getting good, they were like, 'If you're going to play on our team when we go play pick-up, and you start getting scored on, we're not going to let you play anymore.' I started learning how to help other people out with my defense.
I was a class clown. At 12, I was definitely clowning. I was making all the jokes. But I was smart, so the teachers didn't know what to do with me.
The hardest part was getting the window net hooked back. I didn't think I was ever going to get it hooked. I finally got it hooked. If I'd known that I wouldn't have tried to hook it.
I once started out to walk around the world but ended up in Brooklyn, that Bridge was too much for me.
The reason I started writing movies was because I kept getting parts that I just kind of stepped into. I didn't have to do a lot of work and I ended up getting sort of bored.
We've changed a lot of things to help certain groups of people. We widened the lane from 6 feet to 12 feet to 16 feet to make it so the big guys aren't as dominant. Well, why didn't we just say, 'You've got to learn to play against them in the post?'
My parents getting divorced gave me the opportunity to play for my granddad and to meet my wife. I fell in the draft but I ended up in Dallas.
My mom's a concert pianist, so she started teaching me when I was around seven. When I was eight, I started writing my own songs, and kinda started putting piano and singing together. But I'm trained classically, which is a big influence on me, I think.
I started my modelling career by sending my pictures to American Apparel and eventually meeting my friend Petra Collins, who started shooting me for magazines around New York. I ended up signing a modelling contract with Wilhelmina Models a couple of years later.
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