A Quote by Tim Sandlin

Whenever a woman says 'We need to talk,' it means she's reached a decision and it's already too late for you to talk back. — © Tim Sandlin
Whenever a woman says 'We need to talk,' it means she's reached a decision and it's already too late for you to talk back.
A woman cannot do the thing she ought, which means whatever perfect thing she can, in life, in art, in science, but she fears to let the perfect action take her part and rest there: she must prove what she can do before she does it, -- prate of woman's rights, of woman's mission, woman's function, till the men (who are prating, too, on their side) cry, A woman's function plainly is... to talk. Poor souls, they are very reasonably vexed!
I think 'One Woman Army' sums up the overall picture. I talk about love, about life, and I talk about what I want and would hope for and what I need as a woman. It kind of just says it all, you know?
I want to come back and do talk. I want to do late-night talk the right way. Arsenio ain't there anymore, and the late-night talk competition is weak. All them dudes is weak. I don't even know who they are. Weirdos, and I don't even care. I want to bring real fun back to late night where a real comedian is doing it.
There's a woman I see who's not my therapist, but she's like an old friend who's a therapist in profession. She lets me talk to her like a therapist once in a while, and she does a great thing. Whenever I have a big dilemma, like this is a big problem in my life, she always says, 'Wow, you're going to have to figure that out.'
No, you have to talk first. You wanted to talk. It means you say something and I respond and you talk back again. It's one of the human race's most shining achievements. It's called a conversation.
Whenever someone says something bad about you, just confront them on it and just be a man and own up to it. If you said something you shouldn t have said, and it's important to somebody you need to talk to, you need to go talk to them. Be a man. Step up.
My mother is everything to me. She's my anchor, she's the person I go to when I need to talk to someone. She is an amazing woman.
That meant I could come back whenever I could manage it. And she was telling me to go. She knew the decision was too big a load for me to carry by myself. She knew me through and through. She had eyes in the back of her heart.
If you talk to a woman, she will give you at least five incidents in a day, 5-10 in a month, where she had to work harder to prove herself because she is a 'woman,' maybe at a male-dominated work place or when she has to come across as a smarter woman if she is good-looking.
Talk—half-talk, phrases that had no need to be finished, abstractions, Chinese bells played on with cotton-tipped sticks, mock orange blossoms painted on porcelain. The muffled, close, half-talk of soft-fleshed women. The men she had embraced, and the women, all washing against the resonance of my memory. Sound within sound, scene within scene, woman within woman—like acid revealing an invisible script. One woman within another eternally, in a far-reaching procession, shattering my mind into fragments, into quarter tones which no orchestral baton can ever make whole again.
I've actually taken meetings about hosting a late-night talk show. I don't know that what we know as a late-night talk show is what I want. But I've been talked into a talk show, but it would be different.
That's silly talk... Talk to my wife. She'll tell me I need to learn to just put my socks on the hamper.
It's so dark," she said lamely. "You want me to hold your hand?" Clary put both her hands behind her back like a small child. "Don't talk down to me." "Well, I could hardly talk up to you. You're too short.
Talk to me about sadness. I talk about it too much in my own head but I never mind others talking about it either; I occasionally feel like I tremendously need others to talk about it as well.
The secret to The Temptations is the music: simple music about a man loving a woman. We talk about the lady when we need her, when we want her to be there; we talk about ain't too proud to beg. It's simple, you know? You can't go wrong.
She [Hillary Clinton] says I know that this is the first time that one of our two major parties has ever nominated a woman, and that takes some getting used to even for me. And I think that she has to somehow figure out a way to talk about it. She doesn't like being a symbol, but in many ways, that's what tonight is about.
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