A Quote by Tim Schafer
For every character, I think about who they are, their story, what they are, and who they were before their game started. What was their life like? Where did they grow up? What were their parents like?
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I started on Vine when I first started. My parents were pretty confused about it. They definitely weren't like, 'Don't do it,' but they also were definitely parents like, 'you have to go to college.' So they didn't really understand what the whole concept was and what it could possibly turn into.
One of the things that's fun about that is that sometimes you grow up knowing about someone because they were famous, but you don't really know what they were like before they were famous.
Happy Days was about a family... although the show was shot in the 70s, it was about a family in the 50s. I realized that kids were watching their parents grow up and the parents were watching themselves grow up. That was the key to the success of our show.
I grew up in musicals, and if you looked like me and sounded like me, you were the character; you were never at the center of the story.
Before the Beatles, America was musically a very conservative country. You can see film footage of people at a baseball game, they all had hats and ties on, and the women were dressed up like they were going to church. That was the America that I started getting interested in musically.
I have a specific routine before every match. I like to grip my rackets, because I feel that someone else won't do it how I like them. But the biggest thing is that I don't like to stress about my match all morning. Twenty minutes before, I'll sit down and think about the game plan and warm up. And then I just play.
It was what you did, Wolgast understood; you started to tell a story about who you were, and soon enough the lies were all you had and you became that person.
When I first started out, they were like, 'Is there anybody that you like that you want to work with, and we'll see what we can do?' And I went, 'I like Malay,' who's Frank Ocean's producer, and they were like, 'Not going to happen.' It did seem so, like, high-in-the-sky sort of thing, do you know what I mean? It still does, that it happened.
This is our story to tell. You’d think for all the reading I do, I would have thought about this before, but I haven’t. I’ve never once thought about the interpretative, the story telling aspect of life, of my life. I always felt like I was in a story, yes, but not like I was the author of it, or like I had any say in its telling whatsoever.
I might have been lucky to grow up in the 90s, but I think, actually, we started getting complacent about prejudice. We thought we had killed prejudice, and if you were still talking about it you were just going on too much.
My parents were involved in everything I did. They were showbiz people themselves. My dad was an actor. They were parents; they did what parents are supposed to do.
Just classic immigrant story - I mean, child of immigrant story - did not grow up with cable and so felt constantly like I was being spoken to in a foreign language when I would go to school. And people would be like, did you watch this? Did you watch that? I'd be like, no, but I did watch 'SNL.'
There is a sequence of events in our lives and so there's a temporal aspect to our experience that brings by itself, sense into the story. In other words, you were not walking before you were born and you were not doing X and Y before you did something else first. So there's a sequencing of events that imposes a certain structure to the story.
For 25 or 30 years I never had an assignment. These were all stories I wanted to do myself. So they were always about somebody I like, 'cause if I didn't like him, I just didn't do the story. And to have somebody else paying the bills for this tourism, to every corner of every stage, over and over again? Why, who wouldn't want a job like that?
I think I was 10 when I did my first community play, and then I started booking bigger roles in these plays, and people were telling me and my parents that I was talented. And I was like, 'Well, this is something I wanna do.'
When I did 'Think Like A Man', I would run into people who were acting like it was the first thing I'd ever done. I was at the premiere of 'Think Like A Man,' and people were coming up to me, like, 'Man, you're going to get work after this, bruh.'
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