A Quote by Tim Sweeney

I've personally unsubscribed from Netflix twice because I've been frustrated with changes in their catalog. — © Tim Sweeney
I've personally unsubscribed from Netflix twice because I've been frustrated with changes in their catalog.
David Fincher's work has all been incredibly well-received on Netflix, and Kevin Spacey's films have all worked on Netflix.
I was a frustrated musician, frustrated designer, frustrated art director, frustrated novelist, right. I'd fail at all these different professions.
We live in an era where each of us has a massive catalog of film and television available through the internet at the swipe of a finger. To get folks out of their homes for a piece of art or entertainment, I think you need to offer something they can't get on Netflix or Amazon.
It could be that all awful dictators are frustrated artists - Mao with his poetry and Mussolini with his monuments. Stalin was once a journalistic hack, and I can personally testify to how frustrated they are. Pol Pot left a very edgy photo collection behind. And Osama seems quite interested in video.
We need Netflix. We in the independent sector more than anybody need Netflix, because they care about what we do.
I don't get angry very often, but there have been times when I have been frustrated with myself, maybe after playing a bad shot, after getting out, I have done some damage to some equipment of mine. Once or twice in the course of 20 years - I think you can allow me that at least.
The gambling supply house catalog is distinctly not the safest place to learn about cheating devices, beware of catalog men.
This is the question I'm asking: Do Americans live twice as long because they consume twice as much energy as Europeans? Are you people twice as smart as the average Frenchman? Do you enjoy life twice as much as the average Danish guy? What have we gotten for consuming twice as much energy as Europe? What have we gotten in return?
Personally, I don't like Botox or fillers because I think it drastically changes the shape of your face.
It’s been a dream to work with Netflix because they don’t have any pressure from advertisers.
We've got the catalog, now we just have to figure it out. It's not going to be one gene. It's going to be an accumulation of changes.
When you have the catalog of work, it doesn't feel like you've got one shot to get it right; it's just like, you're making a new document of something at the present time, and it's a living thing, and it changes. It's been cool to help other people make their records, to produce. You get a crash course in things that you don't get as the artist.
People imagine that Netflix sprang fully formed into a global streaming giant, but Netflix might have been personalised sporting goods - or customised shampoo - or even pet food, since these were all ideas that I pitched Reed Hastings in those first months.
Women hate each other in science. You know why? Because the few that are around were trained by men. They survived by being twice as good and twice as competitive and twice as badass as the guys.
It changes over the course of life, depending on how you're feeling. There's this incredible catalog of different songs, so it depends on what you're hoping for, what your dream is and that song will come on.
A leading role as a POC young man in a series on Netflix - to me personally it's more important than just getting a job.
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