A Quote by Tim Vine
With silly stuff, it's seventy-five percent confidence. I always tell people that it's because I'm nervous about getting that next laugh and I need to hear it. I always want to condense a joke.
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With silly stuff, it's seventy-five percent confidence. I always tell people that it's because I'm nervous about getting that next laugh and I need to hear it. I always want to condense a joke
You look back at a time you idealize now and you only remember the good stuff. You tell the stories about the hard stuff and just laugh about it now. You don't remember how difficult it was to be stranded in Austin after driving 52 hours from Seattle in a rainstorm and having nowhere to stay for five hours. You remember that stuff and laugh about it now. You don't feel it the way you did back then when you were so scared and nervous and tired and hungry. We always idealize the past because we don't feel the painful stuff the way we used to.
I never feel comfortable! I'm always anxious. I'm always all over the board. That said, I like doing comedy because it's easy to tell when you're getting it right because people laugh, and you can hear it, and they're smiling, and you can see it.
I always laugh the hardest at the stuff you see in day-to-day life. Its great when somebody can tell a joke that really makes you laugh hard, but to see some kind of personal interaction that no one could write is so good. Those are always the things that make me laugh.
I always laugh the hardest at the stuff you see in day-to-day life. It's great when somebody can tell a joke that really makes you laugh hard, but to see some kind of personal interaction that no one could write is so good. Those are always the things that make me laugh.
I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.
Seventy-five years. That's how much time you get if you're lucky. Seventy-five years. Seventy-five winters, seventy-five springtimes, seventy-five summers, and seventy-five autumns. When you look at it like that, it's not a lot of time, is it? Don't waste them. Get your head out of the rat race and forget about the superficial things that pre-occupy your existence and get back to what's important now.
So much has happened in the past five years, I can't speak for the next five. What I want is to continue to grow. Because I am never satisfied; I always want more. I always want to get better. I always want to climb another step.
You can tell on-stage when a joke's starting to lose its pop. It doesn't mean people don't want to hear it anymore; it means I don't want to do it anymore. Because I want to move on to something that has a knee-jerk reaction just like you get when you tell somebody a joke that they've never heard.
When I was younger, I was nervous and didn't have a huge amount of confidence as an actor. Comedy is something - you know when you're getting it right because you can hear. And you can hear if you're not getting it right! I like to create interesting, weird characters, and they're often best in comedies.
When I worked at The Independent newspaper, I had colleagues who would laugh and say that whenever they picked up the phone to my dad and heard his accent, they thought they were about to hear a five-minute warning to get out the building. People in Britain have always thought it acceptable to make racist remarks about the Irish. The prejudice underlying that supposed joke was everywhere.
I always wondered, like, you know how you go to the family barbecue, and your uncle is that funny guy that you laugh at because he's family? That's how I felt with 'Fighter and the Kid.' People would laugh at my stuff, but it was always tough for me to tell. I just needed to see if there was something going on.
I'm making fun of midwestern homophobia [in the joke], but I'm still saying faggot. And almost every month as I'm doing that joke it gets five percent less of a laugh.
Everyone is living for everyone else now. They're doing stuff so they can tell other people about it. I don't get all that social media stuff, I've always got other things I want to do - odd jobs around the house. No one wants to hear about that.
I use a lot of humor, and I follow the saying that if you want to tell people the truth, you better make them laugh first, otherwise, they will shoot you. So I can tell you a joke and maybe you will laugh at the beginning. But it's not about telling jokes.
Seventy-five percent of great art is hard work only about twenty-five percent is great talent.
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