I'll buy metaphor, but simile's a cop-out used by scaredycats who won't commit to anything. Simile's for cowards.
A metaphor is like a simile.
A simile is just a metaphor with the scaffolding still up.
Ray Bradbury taught me the importance of metaphor and simile and poetic style.
He had gone beyond the world of metaphor and simile into the place of things that are, and it was changing him.
Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.
The simile sets two ideas side by side; in the metaphor they become superimposed.
One thing that literature would be greatly the better for
Would be a more restricted employment by authors of simile and>metaphor.
The simile has to match the tone of its surroundings and has to be like a little joke. Writing a simile that isn't funny on some level is quite hard.
I had an awful first quarter but I picked it up. To all you single guys out there, it's not how you start the date, it's how you finish it sir. A lot of people can, you know, start the date with flowers and candy, but if you don't finish the date - you know what I mean?
The poet, however, uses these two crude, primitive, archaic forms of thought (simile and metaphor) in the most uninhibited way, because his job is not to describe nature, but to show you a world completely absorbed and possessed by the human mind.
When you're looking around for metaphor or simile, I do think it's often helpful to keep inside the world of the book, to gather your comparisons from the stuff particular to that world - be they king salmon and aviation fuel, or pot roasts and spatulas.
Have you ever thought, headmaster, that your standards might perhaps be a little out of date? Of course they're out of date. Standards are always out of date. That is what makes them standards.
Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. Never use a long word where a short one will do. If it is possible to cut a word out always cut it out. Never use the passive voice where you can use the active. Never use a foreign phrase a scientific word or a jargon word if you can think of an everyday English equivalent. Break any of these rules sooner than say anything outright barbarous.
We all start out with the same alphabet. We are all unique. Talent is not the most important thing --- discipline and dedication are. Craft can be learned but desire and longing are innate. Despite the demands of school and just being young, try to write SOMETHING every day --- a description, a captured emotion, a simile, a metaphor. Read, for crying out loud! A writer must read the way a ball player must go to the ballfield every day to practice. Everything is possible in this world of ours--- and so's publication.
My poems always begin with a metaphor, but my way into the metaphor may be a word, an image, even a sound. And I rarely know the nature of the metaphor when I begin to write, but there is an attentiveness that a writer develops, a sudden alertness that is much like the feel of a fish brushing against a hook.