A Quote by Tim Wakefield

It's nice to have a catcher who knows my mechanics, too. That way if I get into trouble he can stop it before I get out of control. — © Tim Wakefield
It's nice to have a catcher who knows my mechanics, too. That way if I get into trouble he can stop it before I get out of control.
Its nice to have a catcher who knows my mechanics, too. That way if I get into trouble he can stop it before I get out of control.
You have to protect her. The more she uses it, the worse it'll get. Stop her, Rose. Stop her before they notice, before they notice and take her away too. Get her out of here." [...] "Don't let her use the power!. . .Save her. Save her from herself!
Rosa Parks inspired me to find a way to get in the way, to get in trouble... good trouble, necessary trouble.
I want to see young people in America feel the spirit of the 1960s and find a way to get in the way. To find a way to get in trouble. Good trouble, necessary trouble.
Is an out-of-control life challenge making you feel 'out of control' over your entire life? If so, stop lying around doing nothing. Stop sleeping late. Stop watching too much TV. Start recognizing that this lack of a disciplined schedule will only increase your feelings of being out of control of your life.
I met Rosa Parks when I was 17. I met Dr. [Martin Luther] King when I was 18. These two individuals inspired me to find a way to get in the way, to get in trouble. So I got in good trouble, necessary trouble.
With acting, you wanna see if you can get into trouble without knowing how you're gonna get out of it. It's like the exact opposite of war, where you need an exit strategy. When you're acting, you should get all the way into trouble with no exit strategy, and have the cameras rolling.
I`ve always thought of him [Barack Obama] and from conversations know him to be a guy who takes the long view, who doesn`t get too high, doesn`t get too low and seizes the opportunities when they`re there and knows how to ride the wave. I ascribe that to Hawaii. He`s a body surfer, so he knows how to get on the wave. He knows just the right time.
Looking good kept me out of trouble. When I worked for Michael Alig, everybody was overdoing partying. It would take me so long to get ready, because I was never one of those girls that were naturally the cover of Vogue. I had to really work hard to look nice. I would take hours and hours to get ready. If you have high heels on, if you're dressed nice, you really can't be drunk or sloppy because it's dangerous. It's part of being a lady, so it really kept me out of trouble.
Trouble is bad to get into but fun to get out of. If you're in trouble, eighty percent of the time there's a way out. If you can see the ball, you can probably hit it; and if you can hit it, you can move it; and if you can move it, you might be able to knock it in the hole. At least it's fun to try.
Before competition, I start to question things. I don't know why it happens, but you've got to control it so you don't get too far out of the race.
Most people are fast to stop you before you get started but hesitate to get in the way if you're moving.
There are nights when you can feel stale because you've fallen into a pattern by touring too much, but it's easy to get out of it by deliberately getting in trouble and playing yourself into a corner to then see if you can get out of it.
The pitcher has the ball, and nothing happens until he lets go of it. So as the batter, I felt I had to fight for any bit of control I could get. I expected the umpire, the catcher, and the pitcher to wait on me. I wanted to get ready on my time.
The way I think I should stay out of trouble is by stayin' busy. With idle time comes a lot of biz, so the more my work load is heavy, I'll have no time to get into any trouble or makin' dis tracks or get into conversation about any other rappers.
Don't let the ball hit you. Catch it or get out of the way. And if you get out of the way, that's when you have to stop playing.
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