A Quote by Tim Winton

In fiction 'issues' are accidental, sometimes incidental. The place and the people it creates are paramount. — © Tim Winton
In fiction 'issues' are accidental, sometimes incidental. The place and the people it creates are paramount.
I think there are sometimes issues with - no matter where you put a conference, there's always going to be constraints on that. For example, sometimes students studying in the U.S. have trouble leaving the U.S. to go to a conference. So if you hold it outside the U.S. in a particular place, that sometimes creates complications.
It seems to me there's this tyranny that's not accidental or incidental, to make women feel compelled to look like somebody they're not. I think the effort is being made to get us to turn our time and attention to this instead of important political issues.
Now, I'm a failed political consultant. But sometimes fiction has a way of capturing people's imagination in a way that non-fiction doesn't. Conservatives typically haven't written much fiction - specifically political thrillers - over the years to educate, inspire and mobilize people on issues of great import, but we ought to.
I think if a story has a message it should be incidental and accidental, otherwise it leans too close to indoctrination.
The detail adds an element of unexpected something. All fiction is false; what makes it convincing is that it runs alongside the truth. The real world has lots of incidental details, so a painting also has to have that element of imperfection and irregularity, those incidental details.
I do think there is a link between the accidental art the sciences produce and the deliberate art the artist creates, but I can't help feeling that the innocence of the accidental art of science has a power and curious beauty that artists are hard-pressed to match.
I sometimes feel fiction is the ideal preservation for real memories. Fiction is such a good place to keep things.
Style to me is incidental. The British are very adept at creating it for its own sake, but the best style is incidental. John Coltrane had a style but it was totally incidental to what he was.
Telling ourselves that fiction is in a sense true and at the same time not true is essential to the art of fiction. It's been at the heart of fiction from the start. Fiction offers both truth, and we know it's a flat-out lie. Sometimes it drives a novelist mad. Sometimes it energizes us.
People have always heard voices. Sometimes they're called shamans, sometimes they're called mad, and sometimes they're called fiction writers. I always feel lucky that I live in a culture where fiction writing is legal and not seen as pathology.
I think that being on a reality show is difficult. We're expected to be honest, and especially since we are honest, it creates issues sometimes in relationships.
I would love it if we made more comparisons between current issues and issues of the past. Maybe we'd realize that sometimes 'current issues' and 'past issues' are one and the same. Our world's people still fight over natural resources, kill in the name of religion, occupy regions and give them up - just as we did 'so long ago.'
When I was a little girl, I watched old movies maybe shot at Paramount Studios, and the fact that every day I get to drive onto the lot and shoot a show that sometimes takes place in the '40s, it's very interesting.
Sometimes one creates a dynamic impression by saying something, and sometimes one creates as significant an impression by remaining silent.
There's no real objection to escapism, in the right places... We all want to escape occasionally. But science fiction is often very far from escapism, in fact you might say that science fiction is escape into reality... It's a fiction which does concern itself with real issues: the origin of man; our future. In fact I can't think of any form of literature which is more concerned with real issues, reality.
Everybody should read fiction… I don’t think serious fiction is written for a few people. I think we live in a stupid culture that won’t educate its people to read these things. It would be a much more interesting place if it would. And it’s not just that mechanics and plumbers don’t read literary fiction, it’s that doctors and lawyers don’t read literary fiction. It has nothing to do with class, it has to do with an anti-intellectual culture that doesn’t trust art.
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