A Quote by Tim Wu
You know, it's so funny that the internet's become a series of traps where you do sort of innocent things like give your name or address or indicate a preference, I like this thing, and then therefore you open yourself up to a deluge of advertising based on those stated preferences.
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You don't have to give us your name and we don't ask for your email address. We don't know your birthday. We don't know your home address. We don't know where you work. We don't know your likes, what you search for on the internet or collect your GPS location. None of that data has ever been collected and stored by WhatsApp, and we really have no plans to change that.
A domain name is your address, your address on the Internet. We all have a physical address; we're all going to need an address in cyberspace. They're becoming increasingly important. I believe we'll get to the point where when you're born, you'll be issued a domain name.
The exciting thing about today with the Internet, streaming, and YouTube, is you can just go do it. You can go make a short and put it up, and it, very well, may be seen. You can create your own Internet series and just put it out there. It wasn't like that when I was in my 20s. People weren't doing this sort of thing - now they can and they should try it.
If you want to be a model, then you should probably become an actor. That's the only way to get hired to do the great advertising campaigns that are really interesting or the magazine covers, and it's hard to build a name for yourself as a model without those things.
...It's all sort of dreams and it's all illusion. It's theater; it's not real. We're making up stories, you know, and people tend to run into you and believe you are your characters. And I suppose the funny thing is the longer you go, you do become sort of some version of [your characters]. You both diverge from them - you know - you live, but you also permanently inhabit that geography and that mental space - and so you do morph a little bit. We do become what we imagine.
I think that we have two things going on in the world right now. We have one sort of vibe that's love who you are, be yourself, love your flaws, embrace your body, embrace your inner beauty, all of that. And then we have another very looks-based thing happening at the same time, you know?
I really like writing poetry and lyrics because it's one thing where I give up control. I don't feel like I need to be in control of it. I just sort of let it happen, and then I know when it's done. I know when it's finished.
Some of my clothes are things that we'd play dress up with when we were little, and it's funny that now I'm wearing it, like, as an everyday thing. But if I say 'vintage' or 'thrifted' on the blog, there's this community of fashion bloggers, and I've become sort of tight with some of them, and we, like, just send each other packages.
An Internet service provider reasonably needs to know your name and address. But it's hard to imagine why a provider would need to collect your Internet browsing habits other than to sell your data.
I think no matter what you look like, the key is to first of all be happy with yourself. And then you know if you want to try to improve things that you don't like about yourself, then do it after your appreciate yourself.
Oftentimes, a funny situation is funny because it's uncomfortable or weird. The most memorable stories, or the stuff that you repeat to your friends, it's not like, "Oh, I had a pleasant day, nothing happened on the bus today." It's when strange things happen, when you become uncomfortable or knocked out of your own reality, those are the things that are interesting.
People say you're born innocent, but it's not true. You inherit all kinds of things that you can do nothing about. You inherit your identity, your history, like a birthmark that you can't wash off. ... We are born with our heads turned back, but my mother says we have to face into the future now. You have to earn your own innocence, she says. You have to grow up and become innocent.
[In comedy] you never want to leave the actors hanging out to dry. So you need to come up with funny individual stories for each character, and then you do this sort of comedy geometry, weaving them together. Once you've got a funny structure and you know why the scenes are funny, then you get super funny people to say your own lines, say their own lines, say things in their own way, and every scene is a live rewrite in front of the camera.
Some characters think more like me than others; some think more like my dad or someone else. It certainly is made up of my experiences, things I've heard, things I think are funny, things I think are sad. There's sort of a strange, blurry version of yourself in there.
A lot of acting is working with your own psyche in order to allow yourself to be open and reveal yourself. But then of course there's a healthy part of you that says, "Well, don't do that." You know, you're going to be in front of people. You could look foolish. You could get it wrong. You could be too big or too small or not realistic or whatever those things are. People might criticize you. There's all kinds of reasons not to be open. But you do want to be open.
Express yourself completely, then keep quiet. Be like the forces of nature: when it blows, there is only wind; when it rains, there is only rain; when the clouds pass, the sun shines through. If you open yourself to the Tao, you are at one with the Tao and you can embody it completely. If you open yourself to insight, you are at one with insight and you can use it completely. If you open yourself to loss, you are at one with loss and you can accept it completely. Open yourself to the Tao, then trust your natural responses; and everything will fall into place.
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