A Quote by Timbaland

I'm trying to do something real different; I'm trying to bring the street to real pop. I'm trying to bring the street to pop. Not watering it down, no nothing. — © Timbaland
I'm trying to do something real different; I'm trying to bring the street to real pop. I'm trying to bring the street to pop. Not watering it down, no nothing.
If you're trying to be realistic and bring real life to the screen, you are going to have different elements. That's what I'm trying to do. As I make the movie, different elements come in naturally.
I think it's because I'm real. Inside and outside of the ring, what you see is what you get. I'm CM Punk. I'm not trying to be something I'm not. I'm not trying to lie to the people or be fake. I'm not trying to be some crazy, outlandish character. I'm real and they appreciate that. Everything I say, it comes from the heart. It's all real.
I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.
You're trying to write about something that's sacred. You're trying to bring the seriousness of life and death to it, and you're trying to find a way to dramatize it, and you're trying to give language to it, which is inadequate. But it's important to try.
It's different when you're trying to turn something around, especially something that you built, at a time when so many constituents - the media, Wall Street, competitors, ex-employees - are all saying that Starbucks's best days are behind it, and that Schultz is never going to be able to bring it back.
I believe that everyone should have a dream and believe in it. Make it real, bring it to life. You'll never regret trying. Trying is what strengthens your heart and delivers courage. Once you believe in yourself, nothing can stop you.
The people I've met through my path in activism, we're trying to bring real people into a leadership role because we are real Americans and know the true pain of having to worry about our children. And there's no force like a mother trying to protect her child.
All the time I'm trying to evolve, I'm trying to do different things, bring new flavours to people, not just put my name on the something for the sake of it.
No one wants the picture-perfect song anymore. I'm trying to keep the beautiful qualities of pop - nostalgia, melodies, and the feeling that a beautiful pop song can give you - but make it real. It's not polished.
I always felt like I could combine good pop songs that are easy for people to like with a real person and a real mind and integrity. So maybe I bring people into that pop world who don't usually find themselves there because there's not enough stuff for them to get excited about otherwise. I try to be genuine. I try to be real. It's such a subjective thing, but I try to convey an emotion.
It's something we're trying to change and NASCAR is as a whole trying to bring in a younger fan base, a different-looking fan base, we're trying to change the whole demographic of the sport. Me going out to do that is something I'll take responsibility for.
I lived in Italy for a number of years and I was really digging around trying to get my hands dirty, trying to learn about Italian music. And what I ended up gravitating towards was this stuff from the '50s and '60s and maybe early '70s, where there were these incredibly talented pop singers that weren't using pop bands.
I'm a very positive person, that's something that's like my character Savannah. She's very positive in everything that she does and I'm the same way in real life. If I feel like someone's trying to bring me down, I just walk away from it. I just ignore it because sometimes when that happens you can get so involved that it does bring down your day.
The industrial thing came about mainly through giving up trying to write pop songs in the early '90s. I don't think I was ever very good at pop music and as soon as I stopped trying, and started to write more the things I loved, it became much heavier and more aggressive.
I'm trying to use people like Meredith Monk and Philip Glass and Terry Riley as the backing tracks for new pop songs. It's really hard trying to use the format and write a pop song on top of avant-garde music, so we'll see. It could be cool, or it could totally flop.
In my work, I'm passionate about trying different things and being okay if I mess up. Now I'm trying to bring that into my own life.
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