You know, I might miss some of your witticisms when you’re gone, but one thing I won’t miss? Your overwhelming sense of melodrama and despair. It’s too much even for me.
Names are still magic; even Sharon, Karen, Darren, and Warren are magic to somebody somewhere. In fairy stories, naming is knowledge. When I know your name, I can call your name, and when I call your name, you'll come to me.
You are frightened of everything. You call it caution. You call it common sense. You call it practicality. You call it playing the odds, but that's only because you're afraid to call it by its real name, and its real name is fear.
There's no denying for me that 'Emmerdale' is an amazing place to work. I've got so much to be grateful for. Over the years it's given me a great sense of purpose and a real sense of belonging.
You say that your fare told you that he was a detective?" "Yes, he did." "When did he say this?" "When he left me." "Did he say anything more?" "He mentioned his name." Holmes cast a swift glance of triumph at me. "Oh, he mentioned his name, did he? That was imprudent. What was the name that he mentioned?" “His name," said the cabman, "was Mr. Sherlock Holmes.
I'm trying to make a case for those people who don't have a sense of belonging that they should have, that there is something really worthwhile in having a sense of belonging, and recasting and looking at our modern history.
The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images.
As a civilian not playing sport, to get that sense of real belonging and feeling how you are progressing through the day is what I loved and miss.
When they told me I had to have a heart operation, my main memory is standing in my kitchen and thinking what I would really miss was my little tea towel. Not for one minute did I think, 'Oh, I'm going to really miss performing.' The things you're going to miss are your wife, your egg cup, your seat that you sit in to watch TV.
Apart from the highs and lows of when your film releases, there's a strange, addictive quality that making a film has because of all that drama. There's so much that goes on, and we miss it when it's over.
Something in me was always watching life from the outside, permanently obsessed with the notion of belonging vs. not-belonging [to a group]. It did not make for a happy childhood, but it was excellent training for a writer.
Miss Prism: Do not speak slightingly of the three-volume novel, Cecily. I wrote one myself in earlier days. Cecily: Did you really, Miss Prism? How wonderfully clever you are! I hope it did not end happily? I don't like novels that end happily. They depress me so much. Miss Prism: The good ended happily, and the bad unhappily. That is what fiction means.
I have the greatest love for the rituals of organised religion - the sense of community and belonging it can confer to people. But me, I'm more a questioner than a follower; not by whim or fashion, but as a decision painfully arrived at after much, much thought.
My college friends call me Karu, which is the worst. Only in our country can we make a short form for a short name. But otherwise, I've never had a pet name all my life. But now, in official meetings, someone will call me KJo. And I'll judge that person in my head. Just call me Karan.
My parents did call me Zowie now and then, but then, realising that it drew too much attention, they called me 'Joe'. Then, later, I sort-of co-opted my own name back.
Happiness, I think, has to come in the beginning, truly, from feeling a sense of well-being within yourself. To me it's that incredible sense of belonging and peace within your own self and heart that really is joy.