A Quote by Timothee Chalamet
My sister was in ballet growing up. I spent almost the entirety of 7 through 12 backstage at Lincoln Center, just running around, waiting for 'The Nutcracker' to end.
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Look at where I lived! Four blocks from Lincoln Center. I used to play in the fountain. And then I started taking dance lessons. I was in 'The Nutcracker' for the N.Y. City Ballet when I was 8 and dancing in 'The Firebird' for George Balanchine when I was 9. Believe me, that's something you don't ever forget.
I went to 'The Nutcracker' every year with my grandma and aunt. Then, in my early teen years, I thought I wanted to be a ballet dancer. I went real gung-ho in that direction, and I started performing in 'The Nutcracker.'
I've danced since I was 5 and went to the School of American Ballet at Lincoln Center at 7.
When I was growing up, I was running around; I was a little tomboy. So I was just running around trying to be an athlete and trying to reenact things from TV, but I wasn't really into reading comic books or anything like that.
I saw the Nutcracker to be a dummy as I thought of its mouth moving like a nutcracker - and also find them pretty scary as they almost have a life of their own.
If Deja wasn't my sister, I feel like I would still be motivated but not in the way that I am today. Having a disabled sister, that's a lot more motivation, especially when she tells you growing up that she wishes she can be out there with the kids playing and she wishes she can be out there running around.
Jazz at Lincoln Center is something that is very necessary for the creative process. There's a couple of brothers running around New York, trying to buy up the cultural places, who shall remain nameless. Well, there's a lot of brothers - pick any two. Pin the tail on the... they want to buy up stuff and steer the country a certain way.
I spent a lot of my time, growing up, at the Beck Center. I'd be in plays there, and I'd get there an hour or two early just so I could be there, where I felt safe and where I belonged. And that's such an important feeling to have as a young kid. The theater community, and especially the Beck Center, really embraced me and got me started.
The kitchen was the center of our household. I spent all of my time there growing up.
We spent most of our life almost like street rats just running around the street until we were ten years old.
I have spent probably years of time waiting in studio lounges - waiting on a mix, waiting on my time to sing, waiting on, waiting on, waiting on. That's just the nature of life.
'The Nutcracker' is the ballet that keeps on giving.
I've actually seen a good amount of the shows at Lincoln Center Theater. I went to school right across the street at Juilliard, so some of the first stuff I got to see here in New York was at the Lincoln Center Theater. I've always been inspired by the work that they do.
The first show I did was 'The Nutcracker' ballet. I was one of the kids who comes out in the beginning.
I remember having a conversation with my sister, saying, 'What if I don't make it? What if I'm still waiting tables when I'm 35?' I was just at the end of my rope. But I've been at the end of that rope several times.
I grew up going to see my sister dance, both at the ballet and later as a modern dancer, and have always been a big fan of the ballet. So I have had a long relationship with dance.
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