For me, I don't talk about numbers. I've had big contracts my whole career; I just don't like talking about numbers if they're real or not real... whatever offers I've had, I always keep it private.
Well can I just make a point about the numbers because people talk a lot about police numbers as if police numbers are the holy grail. But actually what matters is what those police are doing. It's about how those police are deployed.
Whatever was about, whoever I had seen, and heard rocking, and who had passed me by just now, whoever had opened the locked door was not 'real'. No. But what was 'real'? At that moment I began to doubt my own reality.
My first memory - at about four - was of numbers. The doctors who study me think a combination of mild autism and seizures I had when I was three have made me experience numbers the way I do.
Games are quite shy at talking about different things. Most are about facing hordes of monsters or saving the world or whatever; few games actually talk about the real world, about real people, about their relationship, their emotions, their feelings.
The first three championships that I won, I won them. I had big numbers and I won them. And last year, the guys won it for me. They won it for the big guy. Numbers are overrated. There's a lot of guys in this league who can say they've got great numbers. But they can't say they've got four rings in the last six years.
It's a very, very tough market.
So unless you do a really good job, you buy the right products from the manufacturers, you service the customer, they keep coming back, they bring their friends in, it's all about numbers, numbers, numbers.
I've been talking a lot about how music chooses you because you can pinpoint when you had the epiphany that, 'Wow, I really want to do this.' But there's no real rhyme or reason about choosing to be in this industry. It's one of those things where there is no real guarantee; there is no real rulebook to follow.
I don't know why people don't want to talk about their numbers. I guess in a sense, there's a bit of performer nudity, a bit of ego nudity when you expose your numbers, I guess because someone's are higher or someone's are lower. I've never really talked about the numbers with anyone, so maybe I'm not supposed to.
I've never been one to look at numbers or think about stuff like that. The only numbers I worry about are wins and losses-that's always been my biggest priority.
Maybe it will be a great thing when the Baby Boomers finally die out. In real life, it's not a matter of the good guys or the bad guys. Rather, it's big numbers and small numbers that do the counting.
The only reason that we like complex numbers is that we don't like real numbers.
Halfway through Numbers, I got really jaded, and I had these unrealistic expectations about what Numbers could be. I thought it should be Emmy-nominated. I was in my mid-20s, so I was kind of shortsighted and silly.
I dream in numbers, and I like to look up the meaning of numbers, and numbers stick out to me.
In those days he really didn't know what he was talking about; that is to say, he was a young jailkid all hung-up on the wonderful possibilities of becoming a real intellectual, and he liked to talk in the tone and using the words, but in a jumbled way, that he had heard from 'real intellectuals.
I always thought of my career as a body of work and not just about numbers.
I think Justin Bieber played a couple of songs up the block from it - and they said that some-one in his camp came and got him a burger. We had been talking about him a lot. Especially actually, last time we came to Australia, C.T. was on a real big Justin Bieber kick. I just thought it was really interesting to finally cross paths with him in New Zealand. And like really - the TV, everyone's just talking about it on the radio - it's a big deal that he was here. I think he just left.