A Quote by Timothy Keller

It's important to remember the Gospel is a story; not a set of bullet points. — © Timothy Keller
It's important to remember the Gospel is a story; not a set of bullet points.
Stories are how we remember; we tend to forget lists and bullet points.
Two points that are very important points to remember and ask: Is it real and does it work?
New research into cognitive functioning - how the brain works - proves that bullet points are the least effective way to deliver important information.
When I won the Tony, I blacked out. I don't remember anything. I had bullet points jotted down, but I forgot to read half of them. My hands were shaking. It was an insane honor to be recognized in that way.
It was the combination of many factors... With most people, suicide is like Russian roulette. Only one chamber has a bullet. With the Lisbon girls, the gun was loaded. A bullet for family abuse. A bullet for genetic predisposition. A bullet for historical malaise. A bullet for inevitable momentum. The other two bullets are impossible to name, but that doesn't mean the chambers were empty.
What I remember most are some of the guys in the background - who they were and what kind of times we had during those days on the set. I remember staying at Mikes house in Hollywood when we first started filming the series. It was the upper story of a two-story building on a little hillside. Mikes wife, Phyllis, was wonderful. Mike and I laughed a lot and played music together. I remember that time very fondly.
I'll be 100 percent honest, any time I've been given a promo, I've used three to five percent of it, which is usually what are the bullet points, what's the direction I'm going in, what points do I need to get across, what am I putting over, and that's it.
The first story I can remember writing, that I truly set down on paper, was a Christmas story that I wrote when I was ten years old.
A story is ultimately a memory. It's important when you're telling a story to think about why this memory is a memory. You don't remember everything in life; you just remember certain things - so, why this one?
I'm not a big note-taker, so I think that the way I decide is that whatever I remember I always consider something that's important. If I remember a joke then I know it's a good joke, if I remember a story then I know it's a good story, and so that's how I curate what stories I'm going to write for the book. And I go over them again, make sure there's a theme and all that stuff, but mostly, it is intuition.
When a movie is being rolled out, the studio publicists and all our individual publicists get together and come up with bullet points and talking points - 'Make sure you stay away from this,' and 'Don't say that quite that way, because that quote can be taken out of context,' and that kind of thing.
Sometimes films ignore other points of view because it's simpler to tell the story that way, but the more genuine and sympathetic you are to different points of view and situations, the more real the story is.
A bullet can kill the enemy, but a bullet can also produce an enemy, depending on whom that bullet strikes.
One easy mistake to make with the first novel is to expand the short story. Some things are better as a story; you cannot dilute things into a novel. I think the first hundred pages of a novel are very important. That's where you set things up: the world, the characters. Once you've set that up, it'll be much easier.
Gun control? We need bullet control! I think every bullet should cost 5,000 dollars. Because if a bullet cost five thousand dollar, we wouldn't have any innocent bystanders.
My father [Erwin Rommel] believed that [Adolf] Hitler has a gift of touching the important points, the essential points.
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