A Quote by Timothy Leary
My historical reading of the situation is that these great monolithic empires developed, Rome, Turkey, and so forth, and they always break down when enough people, and it's always the young, the creative, and minority groups drop out and go back to a tribal form.
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I brought in a yogurt master from Turkey. I went to Greece. I was always going back and forth, from New York to Turkey and Greece. The recipe we use has been around hundreds and hundreds of years. Growing up in Turkey, not a day would go by that we wouldn't eat yogurt like this.
I'm always looking for context in which people tell stories. In "Fight Club" it's these support groups for dying people, and then in "Choke" it's 12-step recovery groups. In one novel it's artists' colonies, in another novel it's a diary form that submariners' wives typically keep so that when their husband comes back from serving on a submarine they have an accounting of their spouse's time. So I'm always looking for, number one, a non-fiction context - because you can tell a more outrageous story if you use a non-fiction form.
CS: I always say there's a tribal element in a rock concert. There's a real back-and-forth thing that goes on between the audience and the performers.
If you go back in my career, you'll find I've always been a lead-from-the-front people-manager guy. I've always been outspoken. I've always attempted to break the mold. My advice to myself, then, would be to go all in on it. The world doesn't need another cookie-cutter business-school leader. The world needs somebody to stick out and be loud and proud.
Of course, spending time with family is always good. I love the outdoors, so if I get a chance to go out and hike or bike around, that's always great. If I don't have time to leave, just listening to some music that I love reenergizes me and gives me that break I need to go back to whatever it is I'm doing.
I'm always thinking about young people first when I'm writing music. Whenever I can reach that young person and inspire them to go after their own dreams, start their own movement just like I did with Wondaland. Starting their own tribe and showing people that we are not all the same, we're not all monolithic. I think that's what it's all about for me.
I've always been a fan of football, always watched the NFL and it's great to always sit back wherever I can this year. You sit back and enjoy the games, pop a little sports drink - not any pop or soda - lay back, watch the games. It's always cool to see how the games go down and just enjoy them.
I take a situation, analyse it, break it down, put it in the form I want it to be in, and then I toss it away. Let somebody else go deal with it.
My thinking has always been that the worst problem we have with regard to lack of inclusion is the terribly low labor force participation rates and terribly high unemployment rates of young men, especially young men in ethnic minority groups and, in particular, young black men.
In any form or fashion, people are finding a way to inflict pain and sadness on people, on a daily basis. We have this situation in Turkey, we have this situation with ISIS, and we have our own internal fights within the United States.
Well, my wife doesn't engage. I mean if you want to look back, really dig down and be a journalist, look at the timelines and you will see that there is a big discrepancy and there really is no going back and forth, my wife sometimes I mean you eventually you have to say something, enough is enough, but the truth is she has always taken the high road.
I think human society for tens of thousands of years has sent young men out in small groups to do things that are necessary but very dangerous. And they've always gotten killed doing it. And they've always turned it into a matter of honor and a way of gaining acceptance back into society if they survived.
If you go all the way back, I've always written science-fiction, I've always written fantasy, I've always written horror stories and monster stories, right from the beginning of my career. I've always moved back and forth between the genres. I don't really recognise that there's a significant difference between them in some senses.
The pace of innovation may slow down or speed up depending on the appetite in the public markets, but the constant progress of technology doesn't really ever stop. There's always opportunities for new ideas and creative people to go build great things. I'm always interested in learning about those kinds of opportunities.
It's always frustrating when you drop the ball. But you've got to go back out there, and you've got to put that play in the back of your head and keep on going.
In 'National Geographic,' you always saw pictures of tribal Africa. And here I am, sitting in Nairobi in our suburban house, watching TV and thinking, 'Why is it always going to be these tribal people 'that are the ambassadors of our image?
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