A Quote by Timothy Morton

Anyone who has trouble imagining causality as magical and uncanny need only consider the existence of children. — © Timothy Morton
Anyone who has trouble imagining causality as magical and uncanny need only consider the existence of children.
Consider children as a beat. Clearly not an institution of power, children don't vote and they don't pass taxes. They have no money, and they don't buy newspapers or watch the news on television. Consequently, children are one of the most neglected segments of society in the news, except as a subtopic of other power beats such as education, family, and crime. Children are in serious trouble in this society, which means the foundation of our society is in trouble, which means the future is in trouble, and that is news.
You need to be imagining all the time, imagining yourself outside the walls of your own skull.
In his essay on the uncanny, Das Unheimliche, Freud said that the uncanny is the only feeling which is more powerfully experienced in art than in life. If the horror genre required any justification, I should think this alone would serve as its credentials.
I have a lot of trouble with scripts. I have a lot of trouble imagining things while I'm reading them.
Better never trouble trouble until trouble troubles you; for you only make your trouble double trouble when you do.
Even the absolute universality of the law of causality does not necessarily limit a person's freedom, because the law of causality not only enables him to explain the past and predict the future, but also encourages him to use his intelligence to create new causes and attain new results.
We know only that our entire existence is forced into new paths and disrupted, that new circumstances, new joys and new sorrows await us, and that the unknown has its uncanny attractions, alluring and at the same time anguishing.
I think it is an accurate statement to say that some people consider feelings of same-gender attraction to be the defining fact of their existence. There are also people who consider the defining fact of their existence that they are from Texas or that they were in the United States Marines. Or they are red-headed, or they are the best basketball player that ever played for such-and-such a high school. People can adopt a characteristic as the defining example of their existence and often those characteristics are physical.
The generation of atmosphere, the aura of the uncanny, is one of the most important secrets of magic. It contributes to the willing suspension of disbelief, the feeling that, within the circle, or in the presence of the magical shrine, anything may happen.
Eleanor Roosevelt's very helpful to a lot of children who cannot speak French, who do not write well. And Marie Souvestre is fierce. She tears up students' papers that are not, you know, perfect. And Eleanor Roosevelt goes around, again, being incredibly helpful to children in need, children in trouble. And her best friends are the naughtiest girls who are in trouble. And she is a leader. And she is encouraged to be a leader. And everybody falls in love with her. She's a star.
Narrative stories are nothing but models of karma and causality - how one thing leads to another. And a lot of narrative fiction is about causality that we don't immediately understand.
The thesis that the universe has an originating divine cause is logically inconsistent with all extant definitions of causality and with a logical requirement upon these and all possible valid definitions or theories of causality.
People always talked about a mother's uncanny ability to read her children, but that was nothing compared to how children could read their mothers.
One advantage of arguing that causality is aesthetic is that it allows us to consider what we call consciousness alongside what we call things.
If you crave further confirmation that Silicon Valley is a magical place where magical thinking reigns, consider the tale of Roku, the video streaming company that filed to go public Friday, when alert people everywhere were headed out for a long weekend.
I think you write only out of a great trouble. A trouble of excitement, a trouble of enlargement, a trouble of displacement in yourself.
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