A Quote by Timothy Morton
When you make or study art, you are not exploring some kind of candy on the surface of a machine. You are making or studying causality.
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I love movies; I grew up loving movies. I've always loved movies. I never thought about making movies until I took art classes and then I started studying different artists. As you study paintings, you see light and shadow, of course - Rembrandt, Eugène Delacroix. You start to understand the relationship between people and art, and images. For me, between movies that I watched and art, it was like, I'd love to make moving art. Moving pictures.
I didn't study no rappers when I was coming up. I was studying moguls. I was studying Jay Z. I was studying Puff. I was studying Master P.
It can be a machine. The machine tries to make money and forget about the heart and the art. Hollywood is more about making money.
Making movies is eating candy. It's a very expensive candy, so you value when you can do it. So when you can do it twice at once, it's like, you know, a kid in a candy store!
I like it when you reach into a vending machine to grab your candy bar, and that flap goes up to block you from reaching up? That's a good invention. Before that, it was hard times for the vending machine owners. "Yeah, what candy bar are you getting?" "That one, and every one on the bottom row!"
NASA has hit a comet with an impactor, during the Deep Impact mission. The goal of that mission was to study the surface by making a crater and stirring up the surface material so it could be studied.
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
What I found was when I started my first study, and then in subsequent studies, is here you have people under some kind of duress, or I chose to study them because they represented some kind of historical event, as it impacted on them or as they helped to create it.
Some people seem to believe that for each problem there is a solution readily available - a solution that can be promptly achieved by passing a law and voting some money. I think of this as the vending machine concept of social change. Put a coin in the machine and out comes a piece of candy. If there is a social problem, pass a law and out comes a solution.
King Princess is like an attitude. I take comfort in it as kind of a shield to exist in, where I can make cohesive art. And it's androgynous, which is intentional. It's important to me that my art exist in a kind of neutral space, genderless to some degree. And give the listener some imagery to hold on to.
Often, when art from the canon is brought in to fine art classes, it is used as a prop to inspire art-making projects but more rarely as something to study in-depth for itself.
God's is the causality at the level of our being, and therefore the roots of our freedom. Ours in causality is determinative of what kind of being we're going to be through our free choices, what kind of action we are going to do through our decisions.
In truth, one cannot, it seems, oppose mechanism and finalism, one cannot oppose mechanism and anthropomorphism, for if the functioning of a machine is explained by relations of pure causality, the construction of a machine can be understood neither without purpose nor without man. A machine is made by man and for man, with a view toward certain ends to be obtained, in the form of effects to be produced.
I always tell Asian actors, especially Filipinos wanting to break into Hollywood, to study, study and study and show their best. I haven't stopped studying. There's an abundance of roles, and all you have to do is prove to them that you are good for the role.
Some people get rich studying artificial intelligence. Me, I make money studying natural stupidity.
Making of poetry, music, dance and art as culture-making in the service of nation-making. You can find writings that make that purpose for art quite explicit.
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