A Quote by Timothy Morton
I grew up in a haunting postindustrial landscape where prehistoric ferns grew among tens of railway tracks surmounted by brilliant arc lights where birds nested and sang in the dead of night, because for them, it was day.
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I grew up in New York City where there is no night sky. Nobody has a relationship with the sky, because, particularly in the day, there was air pollution and light pollution, and you look up, and your sight line terminates on buildings. You know the sun and maybe the moon, and that's about it. So what happens is that I am exposed to the night sky as you would see it from a mountaintop, and I'm just struck by it. Suppose I grew up on a farm where I had that sky every night of my life - then you're not going to be struck by it. It's just the wallpaper of your nighttime dome.
I grew up among heroes who went down the pit, who played rugby, told stories, sang songs of war.
I grew up in a small segregated steel town 6o miles outside of Cleveland, my parents grew up in the segregated south. As a family we struggled financially, and I grew up in the '60s and '70s where overt racism ruled the day.
Ever since I was a little kid, I always dreamed of being a Big City kid, because I grew up in a very small town up north in Canada. I have to say I just love the city lights at night.
One thing that I noticed is having met some former Taliban is even they, as children, grew up being indoctrinated. They grew up in violence. They grew up in war. They were taught to hate. They were, they grew up in very ignorant cultures where they didn't learn about the outside world.
I feel that this is a vocabulary that I grew up with. This biblical landscape is very familiar to me, and it's natural that I use those landmarks as references. Once they were universal references and everybody understood and knew them and located them. That's no longer the case today, but it is still my landscape.
I grew up in the era of Britney Spears, where artists had songs written for them, and you got up and sang them. That's how I always thought it was.
I grew up with singers. My father's mother sang opera. My dad was a big band singer. I can't remember a time there wasn't music in the house, so I grew up listening to great songwriters - George Gershwin, Cole Porter - and my grandma was playing opera for me before I was 3.
I think Joan Rivers is such an untapped legend that people just don't appreciate, because they grew up with her on QVC, or they grew up with her on E!, or they grew up watching her do the things that in their minds the more prestigious comics wouldn't have taken or done.
I was a very lucky kid, because I grew up affluent Santa Barbara, California. My experience as a child was probably so different from people I met later who grew up in the rural South, where many doors were closed to them.
I think people assume that because I talk the way that I talk that I grew up with money, and then I've had to say, 'No, I grew up poor.' And then I was like, 'Why do I have to play this game where the only black experience that's authentic is the one where you grew up in poverty?' I mean, it's ridiculous.
My father was a fish market porter. So I grew up on fish, because he used to steal one a day, I grew up on the very best fish that money could buy, 'cause he only stole the good stuff.
I think that I represent people that sometimes don't have a voice because of how they grew up or where they grew up or the options that were given to them. I was able to kick my way out of that, but we have a real class problem in this country, where it's hard to jump classes.
I was very much a child of the 1960s. I protested the Vietnam War and grew up in a fairly politicized home. My father was like a cross between William Kunstler and Zorba the Greek. I grew up among left-wing lawyers.
I've always felt like a lot of people's misconceptions of me have to do with how I grew up. I grew up poor, and I grew up rich.
The skylines lit up at dead of night, the air-conditioning systems cooling empty hotels in the desert and artificial light in the middle of the day all have something both demented and admirable about them. The mindless luxury of a rich civilization, and yet of a civilization perhaps as scared to see the lights go out as was the hunter in his primitive night.
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