A Quote by Timothy Olyphant

I've been working for a long time and I've just really been allowed to work, with very little of the baggage and the pressures that can come with my job. — © Timothy Olyphant
I've been working for a long time and I've just really been allowed to work, with very little of the baggage and the pressures that can come with my job.
I'd started working when I was 21 and had been very determined about my career, very focused, even as a little kid, so it was something I had been working at for a long time.
I actually have never been to a gym. I haven't had time. I have been working for the last 25 years. I just don't have time to put on a little outfit and go to the gym and work out and clean up and come home.
My kind of success has come a little bit later in life. I'm not 20 any more and these people I've been working with have been successful and good at what they do for a long time.
I have been doing this [acting] for a really long time, so I've come to expect things to take a really long time. You get to a place where you do your job and then you dust your hands off and say, "Okay, my job is done. Now, it's in the stars. We'll see what happens." There's nothing I can do to affect it.
This is going to sound really corny, but it's the way I feel: Musicians have been around for a really long time. It's a really, really old job. When you look at the way that a small band toured back in the '50s, it's similar to the way that a small band tours now. It's been this long tradition, and when you meet somebody who has been doing this for a really long time, you have to have tremendous respect for them.
Back in the day I wanted to be a James Bond girl and I got really close to it too, but I didn't. But now it's just really about enjoying who I work with, the kind of atmosphere that I'm working in, and the character. That's why I think nowadays I tend to really try to be somewhat picky any more to what I do, not just going out to get a job. And sometimes you have to do that, you have to work just to work. But I'm very fortunate to say that I'm actually working at a job that I absolutely love and enjoy and everybody there I enjoy so much and I feel very blessed.
Human beings have been waging war and destroying the environment for long time. Just because it has been going on for a long time and become an unquestioned habit, does that mean it should be allowed to continue.
It's a very weird job to have as a musician, because you spend long periods of time alone and then you have to go work with people for a long period of time and present your music after you've been making it by yourself. It's a very drastic phase.
I'm really lucky that I've had a little gang of people who I've been involved with for a long time... I've been really lucky to have a gang of people who have always been there to encourage me to get on with it. Styles come and go, but I try not to take any notice of that.
I've always been someone who's really tried to live in the here and now. My memory isn't very good so maybe that's why, but it just seems like I've been living this life, my current chapter, for a really long time and I don't really remember what it was like before. It's just been sort of ingrained in me. What I deal with day to day.
I've been getting publishing royalties and stuff like that. I have just been lucky. They come in at the right time. Sometimes they don't, but I am not wealthy or anything like that. I just love to work. I would rather work three hundred and something days out of the year. I would rather be working. They don't know. I love playing. Then I can really get my music together.
I've been employed by the University of Helsinki, and that has been paying my bills. Obviously a ''real job'' pays better than most universities will pay, but I've been very happy with this arrangement I get to do whatever I want, and I have no commercial pressures whatsoever doing this.
I think that dreams, goals, and aspirations, all of that stuff - I'm really lucky to have been able to work with the talented people that I've been able to work with and I hope to be doing that for a very long time.
I've been working really hard in this business for a very long time and I've had my share of ups and downs - and to be honest, most of them have been downs. It's a motivation point.
I've been working in theater, really, since about 1965. I started working with the Mabou Mines about then, and in a way I've always worked in the theater, but it's never been a main part of my work. And it wasn't until Einstein that I kind of shifted into high gear with theater, working with Bob, with Bob Wilson. And since then I find it a very attractive form to work in. It's just an extension of my work.
I think the biggest lesson that I take from 'Avatar' on any set that I go to is just work ethic. Working with Jim Cameron, you're used to working very, very long days and you're very meticulous about details. He's very, very picky about little details, little character-isms and things.
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