A Quote by Timothy Olyphant
The last time I was in a Marshals' office, they had a poster of 'Justified' up. I asked them, 'Did you know I was coming by, so you put up a poster of the show?' And they said, 'Oh, we all love it... you guys make us look good.' I thought, this is great. If they like it, we really did something here.
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There was a massive poster of me down my road, right outside the chip shop. I was about to go in, but then I saw it and changed my mind. Me coming out with a bag of chips, while I'm up there doing crunches on the poster... well, it would not look good.
I sat down and came up with a caption that I thought would fit well on the poster - something that was short and succinct but got a point across. The latest poster was a direct quote - it was exactly what the woman told me.
I didn't ask anyone to make me a poster boy, because poster boys always end up on dart boards.
You don't get a lot of life milestones in show business. It's really difficult to make things, and a lot of times you don't know you're at the end of something. With Mr. Show, I was only a writer and we knew we were going into the movie, and we thought, "Okay, like Monty Python, we're going to make five movies." And we didn't know it was the end. So it ended up being a bummer and such a terrible ending for Mr. Show. We never got to feel like, "Wow, we did it! We did something."
Jem’s eyes had widened, and then he’d laughed, a soft laugh. “Did you think I did not know you had a secret?” he’d said. “Did you think I walked into my friendship with you with my eyes shut? I did not know the nature of the burden you carried. But I knew there was a burden.” He’d stood up. “I knew you thought yourself poison to all those around you,” he’d added. “I knew you thought there to be some corruptive force about you that would break me. I meant to show you that I would not break, that love was not so fragile. Did I do that?
I don't know if I can call myself the poster boy. But yes, I am fortunate that a lot of work that I did was on the web. It has definitely got me some really good roles and a great audience.
You know, it was important for me to do something like that, because nobody ever really thought I could do anything except look sexy on a poster and go shopping.
I've never wanted to be a poster boy, but if I'm going to be a poster boy for anything, it should be this. If you don't give up, and if you carry on believing in yourself when others are doubting you, you can make it.
A friend ... said, "You were healed by faith." "Oh, no," I said, "I was healed by Christ." What is the difference? There is a great difference. There came a time when even faith seemed to come between me and Jesus. I thought I should have to work up the faith, so I laboured to get the faith. At last I thought I had it; that if I put my whole weight upon it, it would hold. I said, when I thought I had got the faith, "Heal me." I was trusting in myself, in my own heart, in my own faith. I was asking the Lord to do something for me because of something in me, not because of something in Him.
There are lots of poster children for angst. But there aren't many poster children for cool angst. Everybody thinks it's cool if you're the bad girl. But what about the people who are really not feeling that great? Why can't I get up in front of millions of people, as a person who represents my generation, and tell them that I'm angry? Who puts these limits on what my personality should be in public?
I did not initially take to the music of the Ramones, because I had never really heard of them before. Allan Arkush had given me a cassette of the Ramones and said, "You're their No. 1 fan, so I want you to know all of their songs and fall in love with these guys." I put the cassette on and I remember running around the house going, "Oh my God. That's music?"
But the first time I had to stand up and sing with them was when we did the pre-record for the movie and it was that moment where I sort of said to myself: "S**t, now I actually have to do this and I have to stand up and do my stars in your eyes moment!" Wake Up and Make Love With Me was the first song and I thought: "Here we are with Chaz and all the boys..."
I remember the day I discovered James Dean and Marilyn Monroe. I don't know why it affected me so strongly, but I walked down to the corner store and bought every poster of them, and I did my whole room up. Overnight.
The last time I did a movie that needed a horse, I said: 'If it moves, I'm out of here.' The worst thing is, they know when you're afraid and act up accordingly. I've had them run off on me. Horses I do not like.
I know a good story from a bad story. But when you have a really good story and they make it bad, I'll say to my wife, "Oh, tonight, I'm going to enjoy watching television because I did great, and wait until you see this." And then, they put it on and it's like - oh, that's not so good. They are fake news.
"She (Minnie Ruth Solomon) was unusual because even though I knew her family was as poor as ours, nothing she said or did seemed touched by that. Or by prejudice. Or by anything the world said or did. It was as if she had something inside her that somehow made all that not count. I fell in love with her some the first time we ever talked, and a little bit more every time after that until I thought I couldn't love her more than I did. And when I felt that way, I asked her to marry me . . . and she said she would."
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