A Quote by Timothy Olyphant
People love to be scared. I guess it's a primal deal.
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I definitely love to be scared. It draws the primal side out of you.
Our lives are pretty calm. Merging on the freeway in the closest you get to risking your life. So what's missing now is that primal emotion of being scared to death, and I think that's why people crave thrills like roller coasters or scary movies. They give you the chance to feel this very primal emotion in a very controlled environment.
Our lives are pretty calm. Merging on the freeway in the closest you get to risking your life. So what’s missing now is that primal emotion of being scared to death, and I think that’s why people crave thrills like roller coasters or scary movies. They give you the chance to feel this very primal emotion in a very controlled environment.
People are scared. People are generally xenophobic - they're scared of what's different. If you're ignorant as well as scared, then you might end up hating something that you're scared of.
I still get scared every time I go out. I get scared taking off; I get scared on the wave, falling, everything. But, you know, growing up with it, I guess you're a little more comfortable.
I don't shy away from any questions. I'm not scared of any question. I'll give you an answer. A lot of people are scared of having actual opinions out there. People are so scared of criticism I'm not scared of people disliking me.
I don't shy away from any questions. I'm not scared of any question. I'll give you an answer. A lot of people are scared of having actual opinions out there. People are so scared of criticism... I'm not scared of people disliking me.
I used to be a professional kiteboarder. People were like, 'Oh, my God, are you scared of sharks? Are you scared of injuries?' You can't be scared. If you're scared, then you can't do it. You can't train to be the best.
Let's face it: I'm scared, scared and frozen. First, I guess, I'm afraid for myself...the old primitive urge for survival. It's getting so I live every moment with terrible intensity.
We should love the fact that we're not just getting one point of view. That we have this diversity in entertainment, and people are not scared to be themselves, and people are not scared to make people uncomfortable, and that's all part of it. That's all part of being free.
I have a lot of mental issues that I just am so fearful of things, which I shouldn't be, right? Scared of heights. Scared of buildings falling on me. Scared of the dark. Scared of crowds. Those are my biggest issues. I'm just scared of people. It's just - in general.
The funny thing is most people don't approach me because they are scared, and that's fine, I want to keep it that way. But the thing is if you're not scared or get over it you learn that sometimes what you're scared of is really what you shouldn't be scared of.
Everyone's scared. So scared they can't sleep sometimes. Or eat. Or keep their weight on." "Then why bother playing?" I asked. It was a whisper, this question. "Because. You love the game. You love the people you play with. You love winning, maybe. You love that one moment when you get it right . . . I dunno. Why do you play?" "Because," I whispered, "it's who I am." Sounds like a good reason to me.
Not everyone is going to love you. Not everyone is going to like what you do, and you see a lot of people don't want to let go of the bands that they love. They don't want to move forward. They don't want to let new things come in; they're scared of change. They're scared of new bands taking over their genre. They're just scared of change.
I suppose everyone is looking for love, and we live in a culture where we have opportunities to fall in love far more than once. A person might go through the dissolution of a major love or a minor love, but the frictions and feelings are very primal - heartbreak, longing, jealousy, anger - etc. People often say love is universal - which it is - so the loss of love naturally is too.
The artist is the lowest form of life on the rung of the ladder. The publishers are usually businessmen who deal with businessmen. They deal with promotional people. They deal with financial people. They deal with accountants. They deal with people who work on higher levels. They deal with tax people, but have absolutely no interest in artists, in individual artists, especially very young artists.
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