A Quote by Timothy Olyphant

Directing? It's an appealing thought, but as far as I can tell, it's a lot of work. Producing is easier. You can tell someone else what to do and then go home. — © Timothy Olyphant
Directing? It's an appealing thought, but as far as I can tell, it's a lot of work. Producing is easier. You can tell someone else what to do and then go home.
In this day and age, when there are so many people creating work online and writing their own shows, I wouldn't tell another actor, 'If you can do anything else go do that.' I would tell them to figure out the story they want to tell, to figure out what artists inspire you and why, and then figure out a way you can create that for yourself.
I'm good at keeping secrets, but if it's not something super serious I usually tell people not to tell me because I'll tell someone else.
How do you tell someone that you weren't the person he thought you were? And more importantly, how did you tell him that you'd meant the things you'd said, when everything else about you turned out to be a lie.
It's a lot of work that goes into producing and directing and all those kinds of things. It doesn't just happen. It's a lotta work. It's a lot more work than acting.
It is easier to find guides, someone to tell you what to do, than someone to be with you in a discerning, prayerful companionship as you work it out yourself. This is what spiritual direction is.
I get up in the morning and I put on makeup and then I say somebody else's words in someone else's clothes, and then I go home and watch TV, have a glass of whisky and go to bed. And I'm overcompensated for that. So it's insane to not use that pedestal to try and at least help someone or something that's in need.
I think now that I've tried directing, I'm not interested in doing adaptations anymore. I could do an adaptation of someone else's work that I would write, but the idea of taking someone else's material entirely doesn't interest me. One of the things that I found really helpful, at least in my mind - and I've never discussed this with the actors or with the people I work with - is that being a neophyte in directing, I feel like I have a kind of authority simply because I'm the writer as well.
As a player, I can tell them they don't want to rush to become a coach, because there is a lot that goes on. This is all something new to me. You can talk to a lot of the coaches... and they can tell you. Until you go through it, then you can understand what it's all about.
I don't want to tell what the songs are about for me, because then people can't decide for themselves, which is why I write; it's for you to find your own meaning in. For me it's my story, for someone else it's theirs; if I tell exactly what it means, then it's only my story.
What I would tell young producers is if there is someone out there who can help you, then go work with that person.
There is a difference between executive producing and producing. Producing, you have no life for two years. You take everything personally, you want to kill everyone, you're depressed and angry, and then in the end you feel excited when it actually works. But executive producing, you can go home at the end of the day.
Start telling the truth now and never stop. Begin by telling the truth to yourself about yourself. Then tell the truth to yourself about someone else. Then tell the truth about yourself to another. Then tell the truth about another to that other. Finally, tell the truth to everyone about everything. These are the Five Levels Of Truth Telling. This is the five-fold path to freedom.
For right now, I'd like to tell stories that I want to tell. I haven't wanted to use someone else's material yet, but I would with the show. It's become an integral enough part of me now, that I could definitely tell a story in this.
I always feel that I'm sort of co-directing with my fellow actors. And you can tell when something's going on that really interests them and they approve of. And then you can sort of tell when there's not.
I think I'll always want to write and direct. I'm interested in producing and helping other people tell stories. But I'm still in love with writing and directing.
A lot of parents tell their children that if they want to be an actor, that's fine, but they should do something else first, so they've got something to fall back on. It doesn't work like that, as far as I'm concerned.
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