A Quote by Timothy Simons

If an actor ever says they really enjoy the auditioning process, I truly believe that they're lying. It's an anxiety-filled waking nightmare. It's awful. — © Timothy Simons
If an actor ever says they really enjoy the auditioning process, I truly believe that they're lying. It's an anxiety-filled waking nightmare. It's awful.
The trouble with audition process is, when you're an unemployed actor, it's the only time you get to act, and it can be quite fun. If you feel in control of the material and you feel that the people are pleased to see you and are excited by you auditioning for them, it can be a really rewarding process. But it can also be a very humiliating process.
The girl was grateful to the young man for every bit of flattery; she wanted to linger for a moment in its warmth and so she said, 'You're very good at lying.' 'Do I look like a liar?' 'You look like you enjoy lying to women,' said the girl, and into her words there crept unawares a touch of the old anxiety, because she really did believe that her young man enjoyed lying to women.
There's acting, and then there's auditioning; mastering auditioning is sort of the first thing an actor really needs to nail down when he or she wants to get a part.
The creative process is often wrapped up in bottomless anxiety, and when the world applauds the product of that process, it soothes the anxiety. Briefly. Then the anxiety returns and even intensifies.
Coming at the acting business as a technician, I really enjoy the process of working. I really enjoy being in a rehearsal room, starting a theatre piece for the first time. I really enjoy shooting in front of the crew, and I really love going on location. I think all that is just so exciting. So I've never really been drawn into the fame of being an actor, which in L.A., is part and parcel of the deal. I think for a lot of people, especially kids, it's hard to not get wrapped up in the world of the perks that the job brings.
What happened when you woke up?" "I was having a dream. I don’t know what it was, but when I woke up, I had this awful realization that I was awake. It hit me like a brick in the groin." "Like a brick in the groin, I see." "I didn't want to wake up. I was having a much better time asleep. And that's really sad. It was almost like a reverse nightmare, like when you wake up from a nightmare you're so relieved. I woke up into a nightmare." "And what is that nightmare, Craig?" "Life." "Life is a nightmare." "Yes.
I find auditioning to be a very illusive process, where actors come in with this really big result with no process, so it's a lie already at work.
The auditioning process is one in which the actor gets very little information about almost every element of it.
I'd really like to go with you, Agachak. Truly I would...but I just can't." "I don't understand. Why not?" "I'm not allowed to leave home. My mother'd punish me something awful if I did..." "But you're the king." "That doesn't change a thing. I still do what mother says. She tells everybody that I'm the best boy ever when it comes to that." Agachak resisted a powerful urge to change this half-wit into a toad or perhaps a jellyfish.
Some set experiences are not good, and sometimes the auditioning process is not fun. There are a lot of different things about this industry that can just make you not enjoy it.
I really actually enjoy auditioning.
Anyone who says there isn't pressure to look good as an actor in L.A. is lying.
My mother is a hardcore actor's actor. She's not a celebrity. She really isn't... And so her main concern was that I not fall into the auditioning-is-my-life syndrome.
There's no shame in stealing - any actor who says he doesn't is lying. You steal from everything.
If I think back to every rehearsal process for every play I've ever worked on, there's just so much crying at home. I barely sleep. There are moments of deep despair and anxiety, and then there are moments in rehearsal that are the most exhilarating; feeling seen and seeing everybody. Feeling like you have a purpose on the planet. A huge part of the process I enjoy is watching the actors figuring out what they can handle and what they can take and what they need from the director and me.
The hard work, you discover over the years, is in learning to discern between correct and incorrect anxiety, between the anxiety that's trying to warn you about a real danger and the anxiety that's nothing more than a lying, sadistic, unrepentant bully in your head.
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