A Quote by Timothy Simons

After school, I was planning to jump from regional theater to regional theater. — © Timothy Simons
After school, I was planning to jump from regional theater to regional theater.
I was interning at a children's theater group in Kentucky - that was my first job out of college. I had jumped around a couple of regional theaters, and I was about to go back to Maine to work at a summer Shakespeare theater there. I didn't want to just jump around the country from gig to gig. I really wanted to go to a city and get involved in a theater scene and a theater community.
I realized that after years of studying Shakespeare and Chekhov and regional repertory theater, what I really wanted to do was bust in and rob a bank and jump in the screaming getaway car and tear through the city and get in a shootout.
Immediately after school, I did a lot of regional theater. I was in Berkeley and Princeton and Minneapolis and all over the country doing wonderful plays for the local audiences.
I started doing regional theater. My first job was 'The Importance of Being Earnest' at Dallas Theater Center.
I started doing regional theater. My first job was "The Importance of Being Earnest" at Dallas Theater Center.
I would not change very much about the American theater. I marvel and rejoice in the way the country's regional theaters have formed a network that has become, in essence, our National Theater.
I started working in New York City as an actor and did many plays. I did regional theater, smaller theaters, children's theater.
I came out of school just at the time regional theater was first expanding. All of a sudden, lots of new companies needed actors.
I started in high school and regional theater. Anything that came into town, I wanted to be involved in, because I just wanted to learn.
I knew I wanted to be an actor, and I didn't necessarily need or want to be famous or a celebrity actor. But I wanted to be somewhere where there would be no ceiling on what I could accomplish, and I felt like if I stayed in St. Louis I might have a really great regional theater career or something, but that I wasn't going to be able to get much further than that. And it felt like New York and L.A. were the two places where you could end up being a TV star or you could end up doing regional theater, which would have been fine as well.
The developing coherence of Asian regional thinking is reflected in a disposition to consider problems and loyalties in regional terms, and to evolve regional approaches to development needs and to the evolution of a New World Order.
I grew up in a theater family. My father was a regional theater classical repertory producer. He created Shakespeare festivals. He produced all of Shakespeare's plays, mostly in Shakespeare festivals in Ohio. One of them, the Great Lakes Theater Festival in Cleveland, is still going. So I grew up not wanting to be an actor, not wanting to go into the family business.
Always continue to perform no matter what or where the activity is: local theater, regional theater, local clubs or coffee shops. Continue to play the guitar or your instrument and always continue to progress or otherwise you will fail.
I am a lucky regional theater actor who happened to get a good role.
I never imagined I was going to do movies. My dreams were to become a regional theater actor.
When I first became an actress, I expected to do regional and classical theater; I just love the whole creative process.
This site uses cookies to ensure you get the best experience. More info...
Got it!