A Quote by Timothy Simons
It's so odd because I don't even know if I'm cut out for it, but being a movie star guy, I sort of end up gravitating toward the Coen brothers. That's one of the reasons my wife and I moved to L.A.: that however much of a pipe dream that would be, I moved to L.A. because I'd love to work with the Coen brothers.
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Anything that is absurd I see as a Coen brothers' influence! The Coen brothers are my favorite people period.
Obviously I would love to work with all these great directors like the Coen Brothers, Tarantino. Robert Rodriguez is a dream director of mine.
I would love to work with the Coen brothers and Terrence Malick. I love both of their bodies of work so much, so I'm really interested in acting under their direction.
I would love to work with anybody who has a good story to tell - Patrick Graham, Vikramaditya Motwane, Anurag Kashyap, Neeraj Ghaywan, Coen Brothers, Wes Anderson. I don't know why I was not considered for that Indian guy's part in 'The Grand Budapest Hotel.'
I began with small roles in successful movies like 'No Country For Old Men' by the Coen brothers; but it was 'The Last Exorcism' that changed my life: with what I earned, I left Texas and moved to Los Angeles.
I don't know of an actor that the Coen brothers would come to and say, "Hey, I've got a movie for you to be in, if you want to do it," that would say, "No." That's the truth.
I'd love to work with the Coen brothers. And Steven Spielberg. 'E.T.' was big for me.
What I love about the Coen brothers - what everyone loves - is that they sort of toe the line of a truly dark comedy.
I worked with the Coen brothers, which had been a dream of mine.
I'm a Coen Brothers fan - especially their early work.
I'm not a very efficient filmmaker. There's a lot of guys, filmmakers like the Coen Brothers who shoot a whole movie and maybe don't use 12 setups. I'm in awe of people like that; I'm just not that guy.
The Coen brothers: Of all the directors I've worked with, they're the only ones who have given me the storyboards attached to the script. It was very cool for me, because I knew when I was in close-up or if it was far away, and it also made me know that anything that happened in the edit wasn't personal. Because they edit their own movies, so they were editing it as they went.
It feels like you're being invited into a kind of community [working with the Coen brothers].
That experience [in Hail, Caesar! ] ruined me for all future experiences, because the Coen brothers are the best. They're arguably the greatest of all time, if there is such a thing.
You can do weird things on TV - there are happy stories, sad stories, dark stories. But with a movie, it always has to end satisfying. Unless you're the Coen brothers, and it ends with somebody getting shot in the head.
The Coen Brothers, Peter Jackson, and Guillermo del Toro have really made something of themselves and impacted people. I'd love to work with them sometime, too.
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