A Quote by Timothy Spall

I played Othello at RADA - blacked up. I didn't know it was going to be offensive now! — © Timothy Spall
I played Othello at RADA - blacked up. I didn't know it was going to be offensive now!
My father used to act in high school. He was in a production of 'Othello;' I don't know who he played, but it wasn't Othello. He would talk about it, though, and read Shakespeare to me.
With Othello, Shakespeare posed this problem of a black man in a white society in the role that he's playing. And Shakespeare gave Othello such dignity - he came not from - as he said - not from hate but from honor, from a sense of his own human dignity. And to me, to my mind, there could be no greater character played.
I played Othello, but I didn't sit around thinking how Laurence Olivier did it when he played it. That wouldn't do me any good.
After 'Othello,' it was, like, 'I can stop acting. I have played one of the great characters in the English language. I feel I have played him well and honorably. I have nothing to prove anymore.'
My teacher at RADA said I was going to have trouble when I left because I wasn't an obvious juvenile lead, although I could do both comedy and drama. But I understood enough to know that my career was going to be a marathon, not a sprint.
I don't relate to people that look like me. I find it deeply unsatisfying to play a version of myself. It was something I had to figure out really early on, when I was at RADA, because I was being cast, over and over again, as the young, virginal thing. When I left RADA, I was on an absolute mission to never wear make-up.
Even in the days when they did Othello, you didn't necessarily have to be black to play Othello. You wore the makeup.
You know, sometimes I worry, you know, is comedy and my type of comedy going to get stale? Is it going to be so offensive that it becomes uninteresting or so niche that I don't have an audience anymore? But it keeps getting bigger and bigger and bigger, where roasting now is a movement. These roasts are on in India, in Mexico.
You know, I played football, I was offensive tackle in college.
When I first played Othello, a reviewer absolutely slaughtered me.
It's a scary thing when a team don't know who to match up to, whose night it's going to be on the offensive end.
I can't get upset about 'offensive to women' or 'offensive to blacks' or 'offensive to Native Americans' or 'offensive to Jews' ... Offend! I can't get worked up about it. Offend!
And I'm looking at him like, 'Oh my God. This is Michael Jackson'. I fainted, blacked out - like seriously blacked out.
I am no Othello, Othello was a lie.
Sometimes they're all collectively thinking, "Wow, we're kinda a shitty audience," and then if you point it out, it's kinda like, "Hey, I know what's going on. We know what's going on up here. Or what's not going on. And I'm letting you know that I know. And now we can fix this."
I've played almost every lead character from Henry VI to Othello. I'm dying to tackle Richard III sometime.
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