A Quote by Timothy Spall
When you're doing a film, your agent and manager spend hours - days - talking about contractual obligations. If you turn up for work and ask for a peeled grape on top of foie gras but you don't get it, you can't get annoyed.
Related Quotes
It's hard to get money to support your [non-profit] organization if you have no evidence. It's very much like the acting business: You need an agent and manager so you can get a job to get resources, but you can't get an agent and a manager unless people see your work.
It's really hard to get a coffee with someone. I have to call my agent, my agent calls their agent, their agent calls their manager, the manager calls back, the actor sends someone to the manager... then you get, 'Yeah, yeah, I'd love to have dinner at six,' and all I wanted was coffee! It can take, like, six days to get coffee.
Foie gras is sold as an expensive delicacy in some restaurants and shops. But no one pays a higher price for foie gras than the ducks and geese who are abused and killed to make it.
I've gone up two suit sizes. The character I'm playing, he's strong, I can say that much. I've changed my physique a bit, so that requires eating like a foie gras goose, well beyond your appetite. Providing I don't feel too ill, I then work out two hours a day with a phenomenal trainer. It's the L.A. way.
I think 'work' is anything I'm doing with intention and purpose. There is absolutely no negative connotation to the word 'work' for me - I feel lucky that I get to wake up every day and spend my days doing things I believe in.
Acting is the best job in the world. Look at the way they treat you when you turn up for work. They give you breakfast and a cup of tea and ask, 'Are you all right' They tart up your face, you say somebody else's words, then pick up your check and go home. And you get days off. I tell you, it really is the way to live.
It's so easy to get caught up in the thick of thin things. So seductive to spend your finest hours climbing mountains that, at the end, turn out to be the wrong ones.
You do get really exhausted doing films. You work such long hours, and after a while, things can get out of perspective, just like if anyone's tired, things get on top of them.
My dad even likes to give me career advice. I'll let him know about some offers about films and TV shows that I get, and he'll ask me questions like, 'What's the money like?' and 'Who got this for you - was it your agent or manager, and what are they getting out of this?'
Not everything is going to be handed to you just because you're talented with a big smile. Sometimes you just gotta get out and shoot jumpers for hours and hours and hours. That's something I didn't really get a grasp on until way later, waking up early and treating it like a job if you're serious about it. Get the freak up and, you know, work.
I wish that there was a program in college that taught you what to do about getting head shots, how to get an agent, how to get a manager, how to - none of that was taught. It was all your craft, and I'm very appreciative that they taught the craft in theater, but film and television are completely different than theater.
Probably the most difficult scene to film was the one where I'm attacked. I haven't thought about it in a while because, in hindsight, you make jokes about it and you get funny stories from it. When I was talking about it earlier today, I started to realize that it took a couple days probably to get over. Even if you can laugh about it, it's still the physical things that your body has to go through, it's pretty insane.
I'm always tempted in the back of my mind to continue to write things in the Star Trek universe, in the novels or the comics, just because I don't get to play in that universe and I don't get to hang out with those characters any more. You spend hours upon hours of your life, day after day sitting in writers' rooms, talking about these people and these situations, and it becomes very real to you. They're friends of yours, in a lot of ways.
At first, I spend about four hours a day writing. Toward the end of a book, I spend up to 16 hours a day on it, because all I want to do is make it good and get it done.
Obviously, growing up in France, I had foie gras probably when I was two years old. Writing about it and understanding what's going on in the world about it, I think I became more conscious and more thoughtful about things, for sure.
What happens to women happens to the entire nation. People work hard. But when you're working long hours, you don't get to spend time with your kids, you don't get a chance to take a vacation every now and then, you don't get a chance to make a big purchase (which helps the economy). There's something wrong with that. This isn't about wages, this about quality of life.
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