A Quote by Timur Bekmambetov
I think the most important technique is to ground everything, to make fantasy world grounded and relatable, just great characters.
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No matter what world you're creating, whether it be a real world or a fantasy world, you still have to make the characters relatable or somewhat understandable.
I think characters are most terrifying when they're relatable. It's best when your most horrible characters make sense, and are believable. That's when a movie is most terrifying.
I'm a big believer in respecting the fans. How do I make a science-fiction or fantasy setting relatable? How do you make the characters real?
I just really like ground and pound. The way I do it, it looks like I'm just throwing bombs, but there's some technique to it too. I make sure I'm controlling the hips, palming his face to the ground, just little things like this that make sure that the ground and pound works and I'm not letting him tie me up to where I can't throw punches.
So many people think that if you're writing fantasy, it means you can just make everything up as you go. Want to add a dragon? Add a dragon! Want some magic? Throw it in. But the thing is, regardless of whether you're dealing with realism or fantasy, every world has rules. Make sure to establish a natural order.
Traditionally, there's been a desire to make shows relatable so the maximum number of people would think of those characters as being recognizably like them. The risk there is you can push everything in a somewhat generic direction.
Truly great performers reveal not only their characters but bring everything they know about the world with them. It's not just what's in the script but the story of everything you've done and of who you are. If you're Chaplin, you're the immigrant. No matter what he's doing, he's always the little guy trying to make his place in the world.
That's why people love Spider-Man: he's the most grounded, relatable of superheroes.
Our goal at Home Theater Films is to inspire and entertain our audience. We want to make great movies that everyone can enjoy and elevate them with contemporary, relatable characters that naturally demonstrate their faith in real world situations.
If you compare the violence in 'Happy Valley' to the violence in something like 'Game of Thrones,' it's nothing. But it is shocking because it's so real and grounded. The characters could live next door to you - they're not in a remote fantasy world.
I look at all of world mythology and folklore as my toy to play with. There are just so many characters and creatures there I want to put on paper. It's a really exciting thing for me to take material that I really love and put a new coat of paint on it and present it to this audience. And I don't have to make up any of the characters. I can just pull a book of mythology off the shelf and say, "I'll use this guy." I also hate making up names for fantasy characters. I'll just flip through these books and say, "Wow, this is way crazier than anything I could make up".
Things are different in the fantasy world
Towels are different in the fantasy world
Shows are different in the fantasy world
Dancing's different in the fantasy world
Unicorns No, they're the same
Everything's different in the fantasy world
The most important part of a RPG is the player feeling like they are taking the role of a character in a fully realised fantasy world. They can explore, visit various towns and places, talk to people, customise their character, collect various items, and defeat monsters. The story is not the focus of the experience and is only there to make the atmosphere of the fantasy world more interesting and engaging during the course of the game.
I tend to see my characters from inside and outside at once; this is a technique I use to retain a slight distance. It means my characters can act in unexpected ways on two axes: physical and mental. It isn't just, 'I thought this and then I did this,' which is the technique of the modern psychological novel.
To connect with the characters, you need to connect with the world. If the world feels vaguely familiar, I believe the characters will feel relatable.
Those of you who have been there [Haiti] know it is one of the most beautiful countries in the world. It has everything. It has everything above the ground, and everything under the ground.... It is an amazing place. I strongly recommend that whenever you get a chance, if you haven't been there, that you go to Haiti. I think it was a certain Queen of England who said that after her death "Calais" would be found written on her heart. When I die, I think that "Haiti" is going to be written on my heart.
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