A Quote by Tina Brown
Powerful women always interpret hostility as unrequited love.
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It was always about love. Always, always about love. Lost love, love denied, the obsessive hunger for love. Parental or romantic. Whether it was twisted or pure, fulfilled or unrequited, love was always at the source.
For many of the most powerful people in the entertainment business, hostility to organized religion goes so deep and burns so intensely that they insist on expressing that hostility, even at the risk of financial disaster.
Unrequited love–plain desperate aboveboard boy-chasing–turned you into a salesperson, and what you were selling was something he didn't want, couldn't use, would never miss. Unrequited love was deciding to be useless, and I could never abide uselessness.
I've always been an admirer of women who walk the line of being very feminine and powerful at the same time. That has always been my archetype because too many powerful women, I fend intimidating and frightening, and I never want to scare anybody. I want to be warm and cuddly and yet, powerful at the same time.
Unrequited love is always a great thing.
The great thing about American women is their energy and the way they love to dress. French women don't really dress; they are too conservative, as it's always a question of money. In America, women are powerful and strong, determined. If they want to be an object, they choose to be in control.
He fell in love with himself at first sight, and it is a passion to which he has always remained faithful. Self-love seems so often unrequited.
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
The radical hostility, the deadly hostility against sensuality, is always a symptom to reflect on: it entitles us to suppositions concerning the total state of one who is excessive in this manner.
It was inevitable: the scent of bitter almonds always reminded him of the fate of unrequited love.
I always feel safe with a woman photographer. I feel that no matter how they interpret something, they understand all sides of it because they are women, and women are complex creatures.
Self-love is almost always the ruling principle of our friendships. It makes us avoid all our obligations in unprofitable situations, and even causes us to forget our hostility towards our enemies when they become powerful enough to help us achieve fame or fortune.
We all love to see women on top, and as the record shows, this next powerful woman is always on top. She does it all by living for love.
An actor and a [theatre] director are both what I would call interpreters of work. We interpret a work, just as a musician will interpret a composer's work, we interpret the work of a playwright. We are servants of the theatre and I've always believed that. We must serve what has been written, that's what we're there for.
He fell in love with himself at first sight and it is a passion to which he has always remained faithful. Selflove seems so often unrequited.
I've been in love since I was 14; it's always focused on someone or something and it's always unrequited. It's led to a lot of cheesy lines, but it's also the way I am. I want to be romantic, and songs are a good way to do that.
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