A Quote by Tina Brown
American newspapers are dying mostly because they were so dull for so long, a whole generation gave up on them.
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It's one of the biggest fibs going that American newspapers are now being forced to give up their commitment to investigative reporting. Most of them gave up long ago as their greedy managements squeezed every cent out of the bottom line and turned their newsrooms into eunuchs.
For fear of the newspapers politicians are dull, and at last they are too dull even for the newspapers.
I do think comics are a dying art form because newspapers are a dying medium. But it's not to say that in the next generation, where there's people getting their news electronically, comics won't survive. Right now, they're still largely attached to the newspaper world. And the more they can break away from that, the more they have a chance to live on.
It's very easy to leave when things go wrong, but to stick around and to basically give life to a town because of everything that it gave you generation after generation after generation, that to me is what defines a true American.
The reason we have not gone to newspapers is because its a slow growth industry and I think they are dying. I'm not sure there will be newspapers in 10 years. I read newspapers every day. I even read Murdoch's Wall Street Journal.
My dad worked nights mostly and while we were growing up, and my mother also worked, so there were times where, when it was just the two of us at home, and, you know, they gave us a pretty long leash, actually.
I don't think that people are necessarily going to films simply because they were adapted from comics, though I could be wrong. Comics aren't really misunderstood either, they've just been mostly silly for the past century, and those genre-centered stories have found their way into the movie theaters over the past couple of decades because a generation who grew up reading them has, well, grown up.
There's the generation that made the rules, the generation that codified them. The generation that broke them - that's mine. The generation that laughed at them - that's Tarantino's. And now there's a generation that doesn't know that there were any.
I didn't marry you because you were perfect. I didn't even marry you because I loved you. I married you because you gave me a promise. That promise made up for your faults. And the promise I gave you made up for mine. Two imperfect people got married and it was the promise that made the marriage. And when our children were growing up, it wasn't a house that protected them; and it wasn't our love that protected them--it was that promise.
There is a whole generation of women and it was as if their lives came to a stop when they had children. Most of them got pretty neurotic - because, I think, of the contrast between what they were taught at school they were capable of being and what actually happened to them.
. . . the newspapers of Utopia, he had long ago decided, would be terribly dull.
As far as commercials were concerned, I did very few, and I did them only when they gave me carte blanche to them the way that I wanted to. And I did them as an exercise, because I, who do very long films, never thought I would be able to tell a story in 30 or 40 seconds - you come across a whole new system and manner of approaching a subject.
I'm sure that a previous generation of Jews who published radical newspapers and journals would be critical of [David] Simon's projects. These were left wingers who suffered casualties in some of bloodiest strikes in American history.
I'm first generation American, and my parents were both from Nigeria. And so I always say that I'm literally an African American. So my last name is Famuyiwa, it's different. And so that was a part of my experience from people not being able to pronounce it to not sort of having sort of a shared, common history with a lot of the kids that I was growing up with because my parents were from Africa.
I've never really gotten into the whole labels thing. There were times I would cover a pop song, and people would say 'You sound really country.' I gave up on that whole thing a long time ago.
If one were searching for the best means to efface and kill in a whole nation the discipline of self-respect, the feeling for what is elevated, he could do no better than take the American newspapers.
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