A Quote by Tina Brown

Unlike his predecessors, Obama is not big on 'Masterpiece Theatre' nostalgia. — © Tina Brown
Unlike his predecessors, Obama is not big on 'Masterpiece Theatre' nostalgia.
When I left the theatre and turned to writing, one of the big pulls was that, unlike the theatre, I didn't have to wait to be hired before I could do my art. That was huge. But you still have to figure out how to support your habit; it's rare and lucky when art pays the bills.
In that sense, Obama is America's first postmodern president. If his predecessors tended to see the world in terms of good and evil, Obama sees the world in terms of victims and victimizers - with the United States often in the role of victimizer. In that view, long favored by the academic left that shaped a young Barack Obama, American foreign policy is one long train of abuses, marked by casual aggression and eager imperiousness.
The artist cannot look to others to validate his efforts or his calling. If you don't believe me, ask Van Gogh, who produced masterpiece after masterpiece and never found a buyer in his whole life.
The unknown has undone many a president, and no matter the popularity of an Oval Office occupant, any and all presidents are vulnerable. Of course, one thing that seems to set Obama part from his recent predecessors is his ability to keep an inner calm about tough issues.
Obama isn't just too big to fail. He's too big to know. Obama is so vital to the country and to the world, he must be kept out of the loop in order to save him from his failed presidency.
I imagine, like all his predecessors, Barak Obama would like to achieve greatness in bringing peace in the Middle East. I hope it will not be at the expense of Israel.
If his presidency is to represent the full power of the idea that black Americans are just like everyone else - fully human and fully capable of intellect, courage and patriotism - then Barack Obama has to be subject to the same rough and tumble of political criticism experienced by his predecessors.
I love theatre because that is my foundation. So, if I had to make a choice in terms of where I get the most fulfillments, it would be theatre. The reaction is so immediate, unlike with TV and film.
Unlike life, a work of art never gets taken for granted: it is always viewed against its precursors and predecessors.
Increasingly, corporate executives who don't speak Japanese are coming into Japan. Unlike their predecessors, they expect their employees to be able to communicate in English.
Murray said, ´I don´t trust anybody´s nostalgia but my own. Nostalgia is a product of dissatisfaction and rage. It´s a settling of grievances between the present and the past. The more powerful the nostalgia, the closer you come to violence. War is the form nostalgia takes when men are hard-pressed to say something good about their country.´
In 'Hope Never Dies', the fictional Obama and Biden go up against drug traffickers, outlaw bikers, and other seedy opponents. They're forced to use skills they didn't know they had. Or, to put it another way, unlike Jordan Peele's Obama, this Obama doesn't need an anger translator.
Obama has a strong record on immigration enforcement, outdoing both Republican and Democratic predecessors. He has deported over 1 million immigrants, focusing on those with criminal records. As documented by many nonpartisan sources, by 2011, Obama had reduced illegal immigration crossings to net zero.
I don't think nostalgia is very useful to me. There is a story to be told, there's behaviour to create or to bring to the screen that will help tell that story, and nostalgia is just not really a big part of my emotional package.
You have two types of writers: one like Proust who was locked in his room and wrote the masterpiece. And the other type was Hemingway who celebrated life and also wrote a masterpiece.
We shall take whatever action is necessary to contain the growth of the money supply. The government, unlike so many of its predecessors, will face up to economic realities.
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