A Quote by Tina Brown

It's so thrilling to be intimidated. — © Tina Brown
It's so thrilling to be intimidated.
Thrilling, thrilling to see yourself on a baseball card for the first time.
Now, playing a love interest can be really thrilling, if you're working opposite thrilling people.
I'm not intimidated by other actors at all - or directors. I don't care who they are. But I am intimidated by writers. I hold them in the highest esteem.
I would do the occasional score. I thought it was the most thrilling thing. It was instant. You made the music and they played it right away to millions of people. I found it thrilling.
I think people are intimidated by me, and I don't know why. Sometimes even my own bandmates can be intimidated, or irritated, by me.
I don't get intimidated, you know. Because I feel like when you get intimidated, you become nervous, and then you turn to fear.
What Mexico City cannot do and my country cannot do is to allow us to be intimidated, the authorities to be intimidated, by organized crime.
This is a powerful message from our government: we will not be intimidated by bombs; we will not be intimidated by poison; this is America, if you're a violent, paranoid lunatic, you must use a gun!
I don't get intimidated. When I'm on set, I never really get intimidated by people. But in social situations, it's weird sometimes. You don't want to seem like you're kissing somebody's ass because they're a celebrity.
So to get back to being intimidated, yes, you get intimidated when you're on the runway with Naomi Campbell, who is the best runway model in the world.
Are you intimidated by me? Because if you're intimidated by me, that's something you'll have to deal with.
I grew up in the Bronx. I used to remember going to all these fancy stores in Manhattan to run errands or whatever, and I felt intimidated, like they did not talk to me because I was from the Bronx. I never want anyone to be intimidated by fashion. Fashion is fun or, at least, should be.
It's always a thrilling experience to go into a place that offers you a lot of choice. You know it's like it reminds you of when you're a kid and you go to the amusement park and whether it be Disneyworld or Six Flags you know that thrilling moment when you first enter and you know you've got all these possibilities for the day and it's really a... it's a wonderful feeling.
The environment forces you to be utterly dependent between "action" and "cut" because the environment is perfect on your fellow actor. So as an acting exercise, it's absolutely thrilling that the focus that we had to bring to each other echoed in life, echoed in art. And when you get that parallel, it's really thrilling and it's full of surprises, but it all has a logic.
Other people, some other writers, will win certain accolades or sell in far greater numbers than me - and I'm a legitimate best-selling author - but I live and die for the work. That's thrilling to me. It's thrilling that I do for others what certain writers did for me when I was a kid.
It's very important for us because we are viewers, first and foremost. We view more than we make. For us, it's important that the viewing experience is fun and thrilling and exciting and fresh and different. Those are our goals when we are writing something. When you watch it in the theatre, which I hope you will, how will you have the best experience possible? That's really important to us, and is the most thrilling.
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